Industrial design

PublisherRecess2019
Accessibility in the Arts: A Promise and a Practice is an accessibility guide geared toward small-scale arts nonprofits and the potentially expansive publics these organizations serve. It details specific ways in which disabled people are excluded from cultural spaces and offers possible solutions to those barriers. Moving away from historical and juridical definitions of accessibility, this guide considers the unique capacity of small scale arts organizations to meet the needs of disabled communities. It engages principles of disability justice to think through what can urgently be done to create more equitable and accessible arts spaces…
This call for submissions was drafted the day after the 2016 U.S. election, partially as a response to the concept of “post-truth”: ‘relating to or denoting circumstances in which objective facts are less influential in shaping public opinion than appeals to emotion and personal belief’. While facts obviously still matter, the larger issue is that persuasion and creative communication is important. In some ways, progressive dialogue has stagnated in its own Facebook filter bubble and needs to refocus with its roots in direct action. Industrial design — and the creation of experimental electronic objects — is a useful tool to communicate ...
PublisherThinkbelt2019
In the summer of 1975, NASA recruited architects, artists, and urban designers to envision, alongside engineers and physicists, large-scale cities in space. Fred Scharmen revisits the imagery of this older future.
PublisherThinkbelt2019
Solar geoengineering and soil carbon sequestration could help avert a climate catastrophe. But what’s the end goal of these technologies? Writer and geographer Holly Jean Buck speculates on their potential for social and economic transformation.
PublisherThinkbelt2019
The full complexity of urbanization cannot be understood just by looking at cities. What happens if we embed the urban within a broader hierarchy of interconnected scales? asks urban theorist Neil Brenner.
PublisherMeson Press2019
In today’s society of humans and machines, automation, animation, and ecosystems are terms of concern. Categories of life and technology have become mixed in governmental policies and drive economic exploitation and the pathologies of everyday life. This book both curiously and critically advances the term that underlies these new developments: machine.
PublisherNew Models2019
Berlin-based designer Cade, a specialist in weaponized design, discusses the collateral (human) damage platforms cause as they scale; questions big tech’s G-rated ideation of the average subject; considers the functionality of personal mobile devices within precarious communities, and remarks on the actual inefficiency of the cloud.
PublisherNew Models2019
Feat. theorist and philosopher BENJAMIN H. BRATTON, this episode offers a high-gear, macroscopic mapping of Earth and its systems circa 2019 — incl. how notions of “the artificial” and “intelligence” differ across cultures; hemispheric zones of citizenship and exclusion in the age of AR; and a view of human consciousness as a geological phenomenon, a layer through which Earth’s planetary system is coming to know itself. Plus much, much more. Bratton, whose work spans philosophy, art, design, and computer science, is currently preparing (alongside 5 other books) a much anticipated follow up to his 2016 volume The Stack: On Software ...
Bruce Tharp is an Associate Professor in Art & Design at the Stamps School of Art and Design and is the co-author, with his wife Stephanie, of the new book, Discursive Design. Bruce originally studied mechanical engineering before getting an MID in Industrial Design and a PhD in Sociocultural Anthropology. In this episode, Jarrett and Bruce talk about discursive design and what that means, the strange trajectory of his career, and bridging the gaps between research and materiality.
PublisherSKOR Foundation2011
“Rosa Barba’s Somnium (…) draws together many of the key concerns that have emerged in the artist´s oeuvre over the past decade. Its point of departure is a short story by the German astronomer Johanner Kepler. Although framed as a dream, this tale of a lunar voyage was devised to validate the radically seditious thesis of a heliocentric universe. Published posthumously in 1634 and only rarely reprinted over the next three centuries, his text was finally rescued from obscurity when translated into several European languages. Soon gaining a reputation among devotees of science fiction, today it is widely recognized as ...
PublisherO-R-G2018
In 1965, Bruno Munari designed a small black box — the austere 15-cm steel cube housed four aluminum cones, each painted half-red and half-green and set to spin at four distinct speeds on an 18-minute cycle to produce a very slowly turning composite color moving from red to green. Munari called it the Tetracono and its function was to show forms in the process of becoming: The art of the past has accustomed us to seeing nature as static: a sunset, a face, an apple, all static. People go to nature looking for images such as these static things, whereas an apple is in ...

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