Films

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PublisherThe Funambulist2019
Léopold Lambert met with Indigenous Lakota activists Madonna Thunder Hawk and Marcella Gilbert during their passage in France to present Christina D. King and Elizabeth A. Castle’s film Warrior Women that portrays their struggle over two generation — Madonna is Marcella’s mother. In this conversation, we talked about four episodes of Indigenous resistance in Turtle Island (North America): the occupations of Alcatraz (1969), Mount Rushmore (1971), Wounded Knee (1973) and Standing Rock (2016), all of which were experienced by Madonna. Madonna Thunder Hawk is an Oohenumpa Lakota. Born and raised across the Oceti Sakowin homelands, she first became active in the late 1960s ...
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PublisherHatje Cantz2012
This title will be available soon. Dune was to be his most ambitious film production: a personal adaptation of Frank Herbert’s novel of the same title, published in 1965. The science-fiction saga was ideally suited to the choreography of transgressive visual and narra- tive genres of the sort in which the method of Alejandro Jodorowsky (b. 1929 in Chile) partakes, and as it had been manifested in his films El Topo (1970) and The Holy Mountain (1973). Such an important project merited its own blank book. Hence, the word “DUNE” written in Art Deco-style typography is on the cover of a ...
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Alexander Kluge is best known as a founding member of the New German Cinema. His work, however, spans a diverse range of fields and, over the last fifty years, he has been active as a filmmaker, writer and television producer. This book—the first of its kind in English—comprises a wide selection of texts, including articles and stories by Kluge, television transcripts, critical essays by renowned international scholars, and interviews with Kluge himself. It will be a valuable resource for students and scholars in the fields of film, television, and literary studies, as well as those interested in exploring the intersections ...
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Frances Scholz and Mark von Schlegell premiere Amboy, a new horror film project that interlaces passages of genuine documentary (for instance with Lydia van Vogt, widow of the celebrated sci-fi writer A.E. van Vogt) with carefully scripted and acted sequences that serve the loose narrative arc of the film. The film charts the journey of an artist-filmmaker who is led astray from her attempts to make a documentary in Los Angeles by the mysterious history of a deceased male artist named Amboy. Amboy’s storyline is expressed with a disorienting array of cinematic strategies taken from feature films, documentaries, B-movies, and ...
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Publisheronestar press2004
Anna Sanders Films Identity Spot is a monochrome sequence of images derived from an original 20 second colour film produced as an identity spot for Anna Sanders Films, Paris. Anna Sanders was founded by Philippe Parreno, Charles de Meaux and Pierre Huyghe in 1997. Thanks to Lisa Rovner for her role in the film; Tommaso Corvi-Mora, London; Air de Paris, Paris. Sean Dack is an artist based in New York. Liam Gillick is an artist based in London and New York.
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PublisherArchive Books2017
“Run comrade, the old world is behind you,” is one of the slogans hoisted by the French 1968 movement, which eventually found its way into Soleil Ô (1969), Med Hondo’s best-known film. Filmmaker, actor, and voice-actor, Med Hondo was born in Mauritania, subsequently emigrated to France where he has been living in the Parisian suburbs for more than fifty years. A truly self-made man, Med Hondo began to work in theatre, uncompromisingly making his way toward filmmaking. As a director, he has produced films that unveil the political topicality of the African continent’s history and of its diaspora, and to ...
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PublisherArchive Books2018
Displaced outside of the cinema, the films invite us to form a new assembly. The series a cinema situation concentrates not only on the films but also on the potentiality of this assembly and, more widely, on the social practices that have contributed to the creation of new film cultures – film societies, cineclubs, film-makers clubs within decolonial movements, video salons, film workshops, etc. – by establishing other modes of production and distribution, by setting up spaces of freedom, sites for emergent subjectivities. The series would have us question our relation to the films, to their images, complicating it by ...
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PublisherArchive Books2019
This issue of the journal resulted from the AntiColonial Records seminar that took place from the 24 to the 26 of October 2018 at Archive Kabinett in Berlin. This format of edited excerpts from transcribed conversations between the three groups of participants is a means to document the multi-voiced gathering and to map various positions and urges informed by anticolonial methods and practices.
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Publisheronestar press2003
Jonas Mekas’s artist book is made up of postcards, notes, drawings and letters that friends and artists have sent him over the years. It is a sequel to his filmed and written diaries.
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PublisherThe Funambulist2014
In this interview, film-anthropologist Harjant Gill introduces the figure of the young rural Sikh man in Indian Punjab, who later migrates to the capital city, Chandigarh or abroad. We base our conversation both on Harjant’s thesis that presents a research about the (normative) notion of masculinity constructed within these young migrants’ imaginaries (through cinema for example), as well as on his film Roots of Love (see below), which introduces the bodily characteristics that a Sikh man must present continuously, in particular the unshorn hair and the turban covering it. Harjant and I thus talk about this particular object that enfolds within it ...

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