Social Theory

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PublisherThe Funambulist2014
This conversation is an introduction to the research conducted by Greg Barton for his thesis at CCCP (Critical, Curatorial & Conceptual Practices) at Columbia University. This research is essentially focused on Diego Garcia island situated in the middle of the Indian Ocean, a territory that was never decolonized and remains under British sovereignty. The island hosts a US military basis that was used for its geographic location during the cold war, the first Gulf War, and now the so-called “war on terror.” Similarly to Guantanamo’s Camp Delta, a legal narrative had to be produced in order for the basis to operate ...
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PublisherNEWPALMYRA2015
NEWPALMYRA is: A Digital Archaeology project, collecting data from international partners, analyzing it, creating a reconstruction of Palmyra in virtual space, and sharing the models and data in the public domain. We are using digital tools to preserve the heritage sites being actively deleted by ISIS. A Cultural Development project, hosting live workshops and building a network of artists, technologists, archaeologists, architects, and others to research, construct models, and create artistic works. A Curatorial project, creating exhibitions and experiences in museums and institutions globally, celebrating the cultural heritage of Syria and the world through the lens of architecture embodying culture and power. Together with ...
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As many of us are currently confined at home in many places of the world, and while we keep in our minds and in our hearts those who have no choice but to be at risk from the ongoing worldwide pandemic, because they’re doctors, nurses, cashiers, workers, homeless, incarcerated, or in any other precarious situation, we wanted to provide you with a daily podcast to use this time to reflect and organizing without talking about the pandemic itself — there might be already enough about it. The concept is very simple. Every day, we ask one person the same question: “what ...
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PublisherThe Funambulist2014
This podcast, recorded with the three founders of Demilit (Bryan Finoki, Nick Sowers, and Javier Arbona) is a precedent for Archipelago since it constitutes both a walk to examine the hyper controlled policed space of downtown Oakland and a receptacle for the echoes of Occupy Oakland that comes as interludes to our discussion. We observe objects and spaces that are produced by securitarian logic that often attempt to dissimulate their function by an aesthetic of the ordinary. Starting from Oakland City Hall where Occupy used to have its encampment, we spend the first part of the conversation around the administrative/corporate center of ...
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Against Art History critically evaluates decolonial art exhibitions and curatorial frameworks. It asks to what extent art history can be decolonial, when its disciplinary and architectural foundation, the museum, is an inherently colonial institution. Shirazi thus examines whether new curatorial frameworks, such as in Exhibitions Without Objects (EwO) which internationalise the modernist canon of non-Western arts, undo or amplify the violence perpetrated by Euro-American historical narratives.
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ARTISTS SPACE Center for Experimental Lectures: Amalle Dublon and Aria Dean February 2, 2020, 6pm Amalle Dublon and Aria Dean present new work for the Center for Experimental Lectures, an artist’s project based in New York that engages with the public lecture as form. Amalle Dublon will play and discuss Mariah Carey’s song “Honey,” relating it to concerns of dependency, growth and decay, and culinary sound. In Aria Dean’s lecture, To the Ringdown, two become one, bound by a third. As a part of a series of lectures co-commissioned by Montez Press Radio, their lectures will be broadcast live from Artists Space and ...
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Anthony Elms, Edie Fake and Andy Roche Alderman Exhibitions—350 N. Ogden Ave, 4th fl, Chicago, IL Saturday December 17, 2011 7pm The Center for Experimental Lectures is pleased to announce its inaugural event with presentations by Anthony Elms, Edie Fake, and Andy Roche. Hosted by Alderman Exhibitions, the program will feature three new lecture/performances by these creative producers followed by an open discussion. Anthony Elms’ lecture, entitled I want to lick this animal skin that falls, well cut, from your round shoulder, explores fragments of a reconnection between fashion and art, manifesting the possibility that “winter whites are a myth, and that’s a good ...
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Publisher[NAME]2017
“Police killings captured on cell-phone video or photographs have become the hallmark of United States visual culture in the twenty-first century. In this book, I examine this transformation of visual culture from the deaths of Eric Garner and Michael Brown in the summer of 2014 to the inauguration of Donald Trump in 2017. As a person designated “white” by the color line in the United States, I do so from the perspective of anti-antiblackness. I study the formation of the space of appearance, that space where we catch a glimpse of the society that is to come—the future commons or communism. ...
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As the revolutions across the Arab world that came to a head in 2011 devolved into civil war and military coup, representation and history acquired a renewed and contested urgency. The capacities of the internet have enabled sharing and archiving in an unprecedented fashion. Yet, at the same time, these facilities institute a globally dispersed reinforcement and recalibration of power, turning memory and knowledge into commodified and copyrighted goods. In The Arab Archive: Mediated Memories and Digital Flows, activists, artists, filmmakers, producers, and scholars examine which images of struggle have been created, bought, sold, repurposed, denounced, and expunged. As a ...
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The Canadian Centre for Architecture is an international research institution and museum premised on the belief that architecture is a public concern. We produce exhibitions and publications, develop and share our collection as a resource, advance research, offer public programs, and host a range of other activities driven by a curiosity about how architecture shapes—and might reshape—contemporary life. As part of a multiyear project that includes three exhibitions on twenty-five seminal projects, the CCA and Greg Lynn are publishing a series of digital publications recording conversations with key architects. The epubs are heavily illustrated with photos, drawings, renderings, videos, PDFs ...
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We live in challenging times. There is overwhelming evidence that massive change is required in order to survive impending environmental collapse. Yet this fifth volume in the Archifutures series takes the position that the “apocalypse” is not an imminent event, but an insidious process that is already happening. Communities everywhere are facing it on a day-to-day basis. Many are already resisting and adapting. Despite the implied drama of the word “apocalypse”, the reality is actually far more mundane: surviving it is not about building bunkers, it is about building resilience – everywhere and in all kinds of ways. Contributors include: Bora ...
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PublisherMeson Press2019
Archives have become a nexus in the wake of the digital turn. This book sets out to show how expanded archival practices can challenge contemporary conceptions and inform the redistribution of power and resources. Calling for the necessity to reimagine the potentials of archives in practice, the three contributions ask: Can archives fulfill their paradoxical potential as utopian sites in which the analog and the digital, the past and future, and remembrance and forgetting commingle?

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