Violence

Cover art
PublisherRhizome2017
to_oblivion.zip laments the death of Reyhaneh Jabbari, who was convicted and hanged in Iran on October 25, 2014 for the alleged murder of her rapist.
Cover art
PublisherStrelka Press2014
A nuclear facility in Iran before and after an explosion, a village in Pakistan before and after a drone attack, a Cambodian river valley before and after a flood. The before-and-after image has become the tool of choice for analysing events. Satellite photography allows us to scrutinise the impact of war or climate change, from the safe distance of orbit. But one thing is rarely captured: the event itself. All we can read is its effect on a space, and that’s where the architectural expert is required, to fill the gap with a narrative. In this groundbreaking essay, Eyal and Ines ...
Cover art
Sunday 25 March | Doors 7pm | Admission Free Louise-Michel, France (2008) 91mins directed by Gustave de Kervern & Benoît Delépine Laukaus tehtaalla AKA A Shot in the Factory, Finland (1973), 79 mins Directed by Erkko Kivikoski What to do when the workers of a factory have been laid off overnight? Louise has an original idea: why not pool the compensation money to… hire a hit man and to liquidate the boss? Motion accepted so Louise goes in search of the gem they need and unfortunately comes across Michel, a stinky security specialist. Michel, who is busted, gladly accepts the deal but proves so inept ...
Cover art
PublisherZer0 Books2010
From the repurposed rubble of salvagepunk to undead hordes banging on shopping mall doors, from empty waste zones to teeming plagued cities, Combined and Uneven Apocalypse grapples with the apocalyptic fantasies of our collapsing era. Moving through the films, political tendencies, and recurrent crises of late capitalism, Evan Calder Williams paints a black toned portrait of the dream and nightmare images of a global order gone very, very wrong. Situating itself in the defaulting financial markets of the present, Combined and Uneven Apocalypse glances back toward a messy history of zombies, car wrecks, tidal waves, extinction, trash heaps, ...
Cover art
PublisherFall Semester2014
As the Israeli bombs stop raining on Gaza and, with them, the outrage that this recent chapter of the continuous siege on this small land of Palestinian territory triggered, the last thing that we should wish is that things “go back to normal.” The normal is unacceptable, since it is made of the same violence than the bombings, only in a less spectacular manner. Throughout this text, I propose to use the oxymoronic phrase of “normal violence” in order to describe the (infra)structural subjection imposed on the Gaza inhabitants.
Cover art
PublisherSaraba2016
Will you be able to tell love apart from crime or crime apart from love? Not a cheeky paradox, clearly an essential question in Pemi Aguda’s “Smother.” We are smothering each other. How might we respond? In the diaspora, Arthur Anyaduba argues in “Alimony,” the foreign African, finding a mismatch between cultural stereotypes and Western justice, takes to self-help. But he’s in a dream. Except that it’s not exactly a dream: Moses Kilolo’s “immortal precariat,” wanders into the belly of the night after a fight with his lover. He is shot. He is swallowed by infinity, ill-fated. Can we escape the “faceless puppeteers ...
Cover art
Volume 07_Cruel Designs includes: Introduction: What Is Cruel Design? — Violence on the Body: A Manual for the French Police Escorting Illegal Immigrants — The Handcuffs of the Future — The Straightjacket & the Guillotine — The Thanatopolitics of Death Penalty — The Precise Design of Torture in Kafka’s Penal Colony — What Constitutes “the Act of Killing” — The Absolute Power of a Body over Another in Sade — The Corset: “A Body Press,” Paradigm of the Violence of Design on the Body — Carceral Treadmill — To Design a Prison, or Not to Design a Prison: What About ...
Cover art
PublisherUrbanomic2016
In his response to Badiou’s analysis of globalisation, subjectivity, and terror, Mark Fisher calls for a new politics to counter both the decadence of capitalist realism and the nihilistic appeal of ISIS.
Cover art
Publisheronestar press2002
Lewis Baltz asked Vier5 to re-interpret his story of the Deaths in Newport. The story is about a famous trial during the forties in Baltz’s hometown in California and his biographical connections to the trial. Vier5 retold the story through graphic design.
Cover art
The history of the Middle East is replete with instances of co-existence between ethnic and religious communities as well as examples of continued endorsement and support for ancient monuments from Antiquity to the Islamic periods.
Cover art
What is the impact of demolition on those who witness it not through the media but in situ? Does living through the destruction of one’s built environment produce a kind of post-traumatic stress disorder? Do buildings deserve the same protections as people? How might we develop strategies to prevent further damage and to treat already-damaged people and buildings?
Cover art
PublisherThe Funambulist2014
In this conversation that occurred before her presentation at New York’s Left Forum, Tings Chak and I discuss the historical and contemporary racialized treatment of migrant bodies in North America and Europe. Refused, expelled, marginalized, or detained, the migrant body is a precarious one. Through Ting’s upcoming graphic-essay book, we talk about carceral architecture, in particular the one that embodies the numerous migrant detention centers in Canada. What does that mean at a legal standpoint to be incarcerated not for punishing reasons but for administrative reasons? How does architecture unfold violence upon bodies through its very physicality? What would that ...

We use cookies to improve your experience on our site. Read our privacy policy to learn more. Accept

Join Our Mailing List