Celine Condorelli

This document in front of you is the result of a conversation over lunch, which took place in the early days of Corona in Berlin. Back then, we were simply wondering: in a time in which people are, either by policy or good faith, forced to restrict their spatial radius of interaction to a bare minimum, how do we actually deal with food? Not only in the sense of what we choose to eat conceptually, but how we choose it, literally. Where do we get it, how do we prepare it, and what does something essential like food mean to ...
Publishere-flux2009
What does the democratization of image production really accomplish beyond opening channels of communication? Ironically, the liberation of the voice as a means of announcing oneself and one’s views can be seen as a way of absorbing the brunt of more pressing questions concerning the distribution of actual material resources, as an escape from the pursuit of more equitable relationships with regard not just to representation, but also to the distribution of property and knowledge—the power to determine one’s own circumstances. At stake is really a way of liberating the means to decide one’s own way of living, of being ...
PublisherSternberg Press2015
This publication accompanies FUTURE LIGHT, including the exhibitions “Escaping Transparency” at the MAK Vienna, “Pauline Boudry / Renate Lorenz. Loving, Repeating” at Kunsthalle Wien as well as four off-site commissions within the framework of the VIENNA BIENNALE 2015: IDEAS FOR CHANGE (11 June−4 October, 2015).
The 2019/20 issue of The Serving Library Annual is entirely devoted to the late Italian designer, artist, inventor and polymath Bruno Munari. The core of the annual is the first English translation of Obvious Code, the 1971 collection of Munari‘s own writings, sketches and poems about his own work, published by arrangement with Corraini, who issued the book’s anastatic edition in 2017. It includes iconic design objects such as the Abitacolo, ground-breaking artworks such as his 1952 series of hand-made projection slides, and little known rhymes about the art market, as well as an original piece from his “unreadable books” ...

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