Vincenzo Estremo

PublisherDroste Effect2016
What happens when we surf the Internet from a country that exerts strong censorship? The aims of an Internet researcher might be considerably influenced by the territorialisation of their Internet surfing. The starting point in this non-academic paper is the author’s personal research on Hito Steyerl’s work. From that, he has come to provide a partial perspective of communication in Turkey’s contemporary politics. This Bulletin is focused on the accessibility of the information about Kurdish issues, and on how a new digital passport allows one to attain knowledge otherwise hidden.

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PublisherDroste Effect2016
Droste Effect Bulletin #6: B(est-of )ulletin – End of 2016 Issue Index: Foreword by Matilde Soligno About 2016. End of Year Notes by Vincenzo Estremo, Flaka Haliti, and Studio Miessen (Berlin) 2016’s TOP 5 by Luca Panaro

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PublisherDroste Effect2017
On Monday, November 16th 2015, I take the subway to Hoboken from the 14th street PATH station. There, I buy a copy of the New York Times and a ham sandwich with a bottle of water. I also carry with me a printed-out-from-the-internet copy of a text written by Robert Smithson in 1967. Next, I go to the automatic ticket machine and buy a one-way Bus 85 ticket to Passaic (including a change for Bus 190) and a one-way train ticket to come back. I am early, so I sit down and open the Times. After futilely trying to glance at the art ...

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PublisherDroste Effect2018
James R. Southard has been working with small community groups in the hopes of building collaborative digital photo and video projects. Each series has been catered to the issues and concerns of each region through documenting local habits, patterns, rituals, language, history, and so on. This most recent year, James has started to turn the lens around towards himself. He has started to alter this regional material gathering technique into a biographical survey of his late father’s experiences in the 1970s. The resulting work has been a digital collage of still and moving images along with life action shots, building ...

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PublisherDroste Effect2018
“I have been photographing myself since 1982. If I fail to take a picture on a given day, I advance the film one frame so no image is recorded. This visual calendar consists of 2,500+ photographs that include my body from head to toe, as well as my environment. On occasion, I insert digital reenactment files to contrast with specific images or add an old family photograph for more context. Most often I’m by myself in these straightforward images, but sometimes I’m with family and friends. As time passes, births, deaths, celebrations, and bad days happen. Pets come and go, fashions ...

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PublisherDroste Effect2018
Robotics and soft AI are bringing everyday changes both to the work field and to our free time. How does this condition reflect itself on the artistic practice? Can we humans liberate ourselves from our anthropocentric viewpoint and accept the intellective superiority of machines? Will we be able to overcome our fear of automation? In the utopian view of a fully automated production, not only work ethics should be re-thought, but also our certainties about aesthetics.

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A new project by Droste Effect magazine, Bulletin is a monthly online publication dedicated to curated non-academic art papers. Bulletin aims to explore the diverse ways in which the complexities of being in contemporary art are expressed. It is fundamental for us to investigate the cultures around the contemporary art world, and to understand what constructs our present. Through non-academic writings from a number of disciplines in the humanities, together with contributions by artists, filmmakers, poets, and theoreticians, Bulletin aims to map the dynamic ways in which cultures use visual means to record, redefine and question once again the historical context ...

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