Mark Fisher

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PublisherZer0 Books2012
It is easier to imagine the end of the world than the end of capitalism. After 1989, capitalism has successfully presented itself as the only realistic political-economic system – a situation that the bank crisis of 2008, far from ending, actually compounded. The book analyses the development and principal features of this capitalist realism as a lived ideological framework. Using examples from politics, film (Children Of Men, Jason Bourne, Supernanny), fiction (Le Guin and Kafka), work and education, it argues that capitalist realism colours all areas of contemporary experience, is anything but realistic and asks how capitalism and its inconsistencies ...
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PublisherUrbanomic2016
In his response to Badiou’s analysis of globalisation, subjectivity, and terror, Mark Fisher calls for a new politics to counter both the decadence of capitalist realism and the nihilistic appeal of ISIS.
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Publishere-flux2013
Where did the critical tradition of art go? Maybe that’s the wrong question. Because we know the answer. It went into spectacle. It went into finance. It got privatized, democratized, scrutinized, defunded, bureaucratized, then professionalized. The critical stick became a seductive carrot. But maybe we don’t have to see this only in terms of a fall from grace. Maybe this is the time for a long-overdue realism that an art field still in the thrall of modernist humanism struggles to avoid recognizing. Isn’t it strange how we are subjected to the most extreme aspects of this new order and yet ...
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PublisherRepeater Books2020
Egress is the first book to consider the legacy and work of the writer, cultural critic and cult academic Mark Fisher. Narrated in orbit of his death as experienced by a community of friends and students in 2017, it analyses Fisher’s philosophical trajectory, from his days as a PhD student at the University of Warwick to the development of his unfinished book on Acid Communism. Taking the word “egress” as its starting point — a word used by Fisher in his book The Weird and the Eerie to describe an escape from present circumstances as experiences by the characters in countless ...
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PublisherRepeater Books2017
In what ways could we imagine a world different from the one in which we currently live? This is the question addressed by the essays and conversations in Futures and Fictions, which explore possibilities for a different “political imaginary”. With discussions around decolonization, new Afro- and other futurisms, post-capitalism, science fiction, and new kinds of social movements – and the intersections of these with contemporary art practice and visual culture – Futures and Fictions creates a space for alternate narratives and image-worlds that might be pitched against our neoliberal present. With contributions from Mark Fisher, Ursula Le Guin, Kodwo Eshun ...
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PublisherZer0 Books2013
This collection of writings by Mark Fisher, author of the acclaimed Capitalist Realism, argues that we are haunted by futures that failed to happen. Fisher searches for the traces of these lost futures in the work of David Peace, John Le Carré, Christopher Nolan, Joy Division, Burial and many others.
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PublisherRepeater Books2018
Edited by Darren Ambrose and with a foreword by Simon Reynolds, this comprehensive collection brings together the very best work of acclaimed blogger, writer, publisher, political activist and lecturer Mark Fisher (aka k-punk) who died in 2017. Covering the period 2004–2016, it includes some of the most incendiary and influential posts from his seminal blog k-punk, as well as a selection of his brilliantly insightful film, television and music reviews, together with his extraordinary writings on politics, activism, precarity, hauntology, mental health and popular modernism for numerous websites and magazines. Also included is his final unpublished k-punk post, the unfinished ...
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PublisherUrbanomic2017
On February 12, 2017, following Mark Fisher’s untimely death, at a memorial service at Goldsmiths University of London speakers paid tribute to Mark’s life, and confronted the loss of an irreplaceable, galvanizing cultural figure. This item is publicly available as part of the Library Stack Northampton Branch, and through NN Contemporary Art.
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PublisherRepeater Books2020
Edited and with an introduction by Matt Colquhoun, this collection of lecture notes and transcriptions reveals acclaimed writer and blogger Mark Fisher in his element — the classroom — outlining a project that Fisher’s death left so bittersweetly unfinished. Beginning with that most fundamental of questions — “Do we really want what we say we want?” — Fisher explores the relationship between desire and capitalism, and wonders what new forms of desire we might still excavate from the past, present, and future. From the emergence and failure of the counterculture in the 1970s to the continued development of his left-accelerationist line ...
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PublisherUrbanomic2010
In this panel discussion held as part of The Real Thing at Tate Britain in 2010, participants explore the aesthetic, political, and philosophical questions raised by Speculative Realism
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Repeater Books is dedicated to the creation of a new reality. The landscape of twenty-first-century arts and letters is faded and inert, riven by fashionable cynicism, egotistical self-reference and a nostalgia for the recent past. Repeater intends to add its voice to those movements that wish to enter history and assert control over its currents, gathering together scattered and isolated voices with those who have already called for an escape from Capitalist Realism. Our desire is to publish in every sphere and genre, combining vigorous dissent and a pragmatic willingness to succeed where messianic abstraction and quiescent co-option have stalled: ...
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PublisherUrbanomic2019
Unheard since (and arguably even at) its performance at a conference at The Hacienda in 1996, this recently rediscovered cassette tape containing an audio version of Swarmachines, featuring the voices of Sadie Plant, Angus Carlyle, Mark Fisher, and Nick Land machinically integrated with some premium mid-90s jungle, is a very early production of the Cybernetic Culture Research Unit (CCRU).

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