Ariel Goldberg

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Publishere-flux2021
This week in Russia, Alexei Navalny was sentenced to over two years in prison, partly for violating parole while in a coma from a state-sponsored murder attempt. Following a week of large-scale demonstrations across Russia protesting his arrest, the skilled lawyer and anti-corruption activist stood in court before his sentencing and stated, “I hope very much that people won’t look at this trial as a signal that they should be more afraid. This isn’t a demonstration of strength—it’s a show of weakness. You can’t lock up millions and hundreds of thousands of people. I hope very much that people will ...
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Publishere-flux2016
Businesspeople talk about art like artists talk about money: gratuitously, without compensation. Hired to talk about money, an entrepreneur will speak in terms of art. Put an artist on a panel and you will often get disquisitions on exchange, capital, and commerce. Both constituencies are compelled by what lies outside their professional responsibility, and the response to this compulsion vibrates between veneration and contempt. For every Übermensch crypto-expressionist billionaire patron, there is one who sneers at the foolish valuelessness of art history and its scribes. For every dedicated anticapitalist artist, there is one who happily understands themselves to be making ...
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Publishere-flux2018
Masaccio painted his fresco of the Expulsion of Adam and Eve from Eden (c. 1424–28) just about 600 years before 2030, which is the current cutoff point for humans to curb global temperature rise, or risk quicker extinction. In Masaccio’s rendering, the expelled pair walk together from the green valley crying with open-mouthed agony. Caught in this moment during their walk of shame, their lips, especially Eve’s, surround gaping dark ovals: Where are their teeth?

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