In the first e-flux journal issue of 2022, Bifo points out a recent social protest movement in China known as tangping (躺平, “lying flat”), in which young people increasingly opt out of the pressure to overwork by taking low-paying jobs or not working at all. In the US, “the Great Resignation” has been the name for four and a half million American workers who left their jobs at the end of 2020. But Bifo reminds us that “resignation” also means re-signification—a new meaning given to pleasure, richness, activity, and cooperation that may unveil a previously hidden egalitarian and frugal sensitivity ...

There is a saying that a portrait tells more about the person behind the camera than the one who is photographed. A single picture is capable of showing the ecology and multitude of relations happening inside and outside of the frame, before and after the photograph has been taken. When I look at French artist Bruno Serralongue’s series ‘Sunday afternoon’ made in Brazil over twenty years ago, from 1999-2000, I wonder: what does the work say about the artist himself and his use of the medium? ‘Sunday afternoon’ is a series of photographs performed in a park in Rio de Janeiro. ...

Andreas Petrossiants discusses We Are “Nature” Defending Itself: Entangling Art, Activism and Autonomous Zones (Pluto Press/Journal of Aesthetics and Protest, 2021) with authors Isabelle Fremeaux and Jay Jordan. An excerpt from the book was published in e-flux journal issue 124. “Since 2004, through the work of the Laboratory of Insurrectionary Imagination, we have questioned how to radically transform and entangle art, activism, and everyday life amidst the horrors of the Capitalocene. A decade ago, we deserted our metropolitan London lives, rooting our art activism in a place that French politicians had declared “lost to the republic,” known by those who inhabited it as la ZAD (the “zone ...