Although it looks like it, == is not the catalogue of an exhibition. It is exactly the opposite, it is an independent project, conceived ahead of an exhibition. In fact, Matt Keegan has devised an exhibition from the publication, rather than the traditional reverse. Even more, an unlimited number of venues may be produced. Emphasizing the wall as a page, each one provides a temporary container for ==’s various parts, allowing Matt Keegan to act as the protagonist for the fictive curatorial project.

Although it looks like it, == is not the catalogue of an exhibition. It is exactly the opposite, it is an independent project, conceived ahead of an exhibition. In fact, Matt Keegan has devised an exhibition from the publication, rather than the traditional reverse. Even more, an unlimited number of venues may be produced. Emphasizing the wall as a page, each one provides a temporary container for ==’s various parts, allowing Matt Keegan to act as the protagonist for the fictive curatorial project.

A publication is a time capsule & transmitter from here to there, from you to me. Working from this basic statement: how has your work changed since your 2012 or 2015 contribution to ==? This question and timeline could be rephrased as: How has your life & work changed in the wake of Brexit, Trump’s presidency, and the move to the right in Europe. (The majority of contributors are based in the US and this prompt is not intended to romanticize Obama’s presidency or deny repressive administrations that have come before). It is not necessary to root your response in the 1st person, ...

The impetus for creating NDP was to produce a mobile group exhibition. NDP #1: Summerkit was released in the summer of 2004 and was distributed in a brown vinyl sleeve. It contained large double-sided posters featuring reproductions of works from emerging artists. Each side of the posters functioned as self-contained shows; dotted lines around each of the reproductions invited readers to cut out and rearrange the images as they wished. In addition to the posters, a handful of loose art multiples were included. A series of artist-to-artist interviews and a transcript of a panel discussion rounded out this first issue.

Beginning with NDP#2, Susan Barber became the art director of North Drive Press. After initial discussions, the vinyl envelope was exchanged for a cardboard box that worked with both the loose-leaf ethos of NDP and more pragmatic concerns such as shelving and space to include more content, especially the myriad multiples created specifically for the project.

For NDP#3 and NDP#4, Sara Greenberger Rafferty, another artist committed to collaboration and artist-produced publications, joined North Drive Press as co-editor. Sara and Matt expanded North Drive Press to include exhibition and print publishing programs—separate from but complementary to the annual NDP publication. They organized an evening at New York’s performance venue The Kitchen, published a suite of Exquisite Corpse prints, and exhibited at NADA and various other venues.

For NDP#3 and NDP#4, Sara Greenberger Rafferty, another artist committed to collaboration and artist-produced publications, joined North Drive Press as co-editor. Sara and Matt expanded North Drive Press to include exhibition and print publishing programs—separate from but complementary to the annual NDP publication. They organized an evening at New York’s performance venue The Kitchen, published a suite of Exquisite Corpse prints, and exhibited at NADA and various other venues.

For NDP#5, artist and musician Sadie Laska helped with the process of inviting contributors. NDP#5 is the final installment of North Drive Press. We’ve been consistently amazed by the enthusiasm and inventiveness of our many contributors. Each year, with a varied cast of more than forty, we’ve been able to provide the support and editorial response necessary to compile this non-traditional publication. NDP #5 is a great note to end on: we’ve helped produce a dynamic assortment of artists’ multiples, from temporary tatoos to custom-made soap; and published a varied and compelling collection of interviews, panel discussions, and texts. We hope North Drive Press has added to the ...

This binder is organized around eight topics, each offering a constellation of questions as a way to navigate our image-saturated world. The topics build on one another and shape a multidimensional perspective of photographs as objects and images, as agents of history and instigators of contemporary conversations. As imaging technologies evolve, so does our thinking around what we see—everything from a vintage black-and-white print to an image manipulated on a mobile device—and how we see. Hence, we draw on the work of artists, scholars, and teachers who urge us to look in-depth and with care, and offer myriad ways for ...