Quinn Latimer

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PublisherFHNW HGK2022
Hunger, the third episode of the series Ages of Receivership: On Generous Listening, is based on an online conversation by xwélmexw (Stó:lō/Skwah) artist, curator, writer and Canada Research Chair in Indigenous Arts at Queen’s University Dylan Robinson with Quinn Latimer. Dylan Robinson’s work spans the areas of Indigenous sound studies and public art, and takes various forms, offering him a space to integrate the sonic, visual, poetic, and material that are inseparable in Stó:lō culture. The series Ages of Receivership: On Generous Listening emerges from the spring 2022 Master Symposium at the Institute Art Gender Nature, moderated by Chus Martínez and ...
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PublisherFHNW HGK2022
Labour of Listening by Kate Lacey is the first episode of the new podcast series Ages of Receivership: On Generous Listening, based on the 2022 symposium with the same title. In her contribution the author and Professor of Media History and Theory at the University of Sussex talks about the act of listening as a form of labor, about listening out and listening in and what it means to create a space, where speech and listening can take place. The podcast series Ages of Receivership: On Generous Listening emerges from the spring 2022 Master Symposium at the Institute Art Gender Nature, ...
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PublisherFHNW HGK2022
Repetition, the fifth episode of the series Ages of Receivership: On Generous Listening, is based on a talk by artist Nour Mobarak. In her talk she shares the composition Father Fugue which is composed of conversations with her father, a polyglot who has a 30-second memory, and improvised a capella songs by Nour Mobarak. The series Ages of Receivership: On Generous Listening emerges from the spring 2022 Master Symposium at the Institute Art Gender Nature, moderated by Chus Martínez and Quinn Latimer, in collaboration with Vuslat Foundation.
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PublisherFHNW HGK2022
The sixth episode of the series Ages of Receivership: On Generous Listening, Score for Bellapais Abbey by Berlin-based writer Jazmina Figueroa, is based on her online performance with the same title. Score for Bellapais Abbey includes instrumental music and ambient sounds intermingled with spoken word. The series Ages of Receivership: On Generous Listening emerges from the spring 2022 Master Symposium at the Institute Art Gender Nature, moderated by Chus Martínez and Quinn Latimer, in collaboration with Vuslat Foundation.
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PublisherFHNW HGK2022
Sirens, the second episode of the series Ages of Receivership: On Generous Listening, is based on a talk by artist Aura Satz. She speaks about the sound of sirens and emergency signals and about turning bodies and things into speakers, transducers, antennaes or musical instruments. The series Ages of Receivership: On Generous Listening emerges from the spring 2022 Master Symposium at the Institute Art Gender Nature, moderated by Chus Martínez and Quinn Latimer, in collaboration with Vuslat Foundation.
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PublisherFHNW HGK2022
Subject, the fourth episode of the series Ages of Receivership: On Generous Listening, is based on a talk by Bill Dietz, composer, writer, and co-chair of the Music/Sound Department in Bard College’s Milton Avery Graduate School of the Arts in New York. Within the setting of his talk he speaks to the audience unamplified, reflecting on the power of the structural and infrastructural preconditions of audibility in spaces specially designed and equipped for talks and presentation. The series Ages of Receivership: On Generous Listening emerges from the spring 2022 Master Symposium at the Institute Art Gender Nature, moderated by Chus Martínez ...
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Episode 15: Attention The two days Symposium “Women in Space” at the Art Institute HGK FHNW in Basel thematized the roles of scale, space and power in envisioning women in the art system: space is an issue for everyone, yet, it has specific resonance for those who make exhibitions and run institutions, and for women in general. How we move through space, how we claim it, how we narrate and thematize it, how we fund it, how we labor in it, how we construct and deconstruct it. In this episode Chus Martinez & Quinn Latimer are in conversation with Mareike Dittmer, ...
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Episode 1: Austerity Mareike Dittmer, Stefanie Hessler, Natascha Sadr Haghighian in conversation with Chus Martínez and Quinn Latimer. Promise No Promises is a podcasts series produced by the Women’s Center for Excellence, a research project between the Art Institute and the Instituto Susch—a joint venture with Grażyna Kulczyk and Art Stations Foundation CH. The Women’s Center for Excellence is conceived as a think tank tasked to assess, develop, and propose new social languages and methods to understand the role of women in the arts, culture, science, and technology, as well as in all knowledge areas that are interconnected with the field of culture today.
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PublisherFiktion2015
In this anthology, edited by Fiktion’s cofounder Ingo Niermann, nineteen writers and researchers address a fiercely contested commodity in digital society: concentration. Ingeborg Harms, Quinn Latimer, Arthur Jacobs, and Raoul Schrott write about the circumstances under which a text or activity can completely draw us into its spell, Dirk Baecker and Amy Patton about a shifting concentration, Jenna Sutela and Elvia Wilk about one that carries us into the spherical, Charis Conn about concentration violently induced; Nina Bußmann writes about the uncertainty as to whether she is currently concentrating or distracting herself; Sophie Jung, Emily Segal, and Alexander Tarakhovsky make ...
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Episode 16: Environments The two days Symposium “Women in Space” at the Art Institute HGK FHNW in Basel thematized the roles of scale, space and power in envisioning women in the art system: Space is an issue for everyone, yet, it has specific resonance for those who make exhibitions and run institutions, and for women in general. How we move through space, how we claim it, how we narrate and thematize it, how we fund it, how we labor in it, how we construct and deconstruct it. In this episode Chus Martinez & Quinn Latimer are in conversation with Raffael Dörig, ...
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Episode 4: Fear Selina Grüter & Michèle Graf, Miriam Laura Leonardi, Hannah Weinberger in conversation with Chus Martínez and Quinn Latimer. Promise No Promises is a podcasts series produced by the Women’s Center for Excellence, a research project between the Art Institute and the Instituto Susch—a joint venture with Grażyna Kulczyk and Art Stations Foundation CH. The Women’s Center for Excellence is conceived as a think tank tasked to assess, develop, and propose new social languages and methods to understand the role of women in the arts, culture, science, and technology, as well as in all knowledge areas that are interconnected with the field ...
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PublisherFHNW HGK2022
In the episode Care the Antwerp-based multidisciplinary artist Otobong Nkanga, focuses on the irrelation between environment, architecture and history. She uses the notion of “land” as a geological and discursive formation, often taking as her starting point the systems and procedures by which raw materials are locally dug up, technologically processed and globally circulated. From there she follows the threads that intertwine ores, material culture and the construction of desire with the redistribution of power and knowledge…

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