Sophia Le Fraga

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The Sommerbad in Volkspark Humboldthain feels like home to me. Rain or shine, I’ve spent hours in this public pool. It’s not a light-hearted summer fling. It’s true love to a point where I run past during off-season—which is the majority of the year—to peek through the fence and check on the pallid basins, the withering slide and the leafless trees waiting for the visitors to return. By summer the facility will be as neat as always—a true working class idyll with bright blue water, lush green trees and quaint flat-roofed structures. If it wasn’t for the ridiculously strict regulations, ...
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PublisherQueer.Archive.Work2019
ISSUE #3 (Urgentcraft) assembles 18 artists and writers who prioritize maintenance as a form of urgency. Upon receipt, this publication e x p a n d s in the hands of its reader, filling an enormous space with queer feeling. It shapes a landscape that speaks of visibility, of a commitment to pleasure, of kinship networks, of memory, of closely re-written histories, of engaged dialogue, of riptides, of affective space beyond the material, of a failed, imperfect read. Of communal care as a never-ending practice.
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PublisherWhere2014
During the last weeks of March, Jeremy Coulliard’s spinning painting When Appropriate, Use Metaphors That Represent Concrete, Familiar Ideas twirled silently in our closed and locked shipping container, only viewable via live-stream on our web site. When Appropriate… was the first installment of Where 4, a group show that celebrates constraint and is staggered across March, April, and May. This experiment began with our detailed commission by Coulliard, continues with Brock Enright’s private performances, and concludes with generative on-site paintings by Siebren Versteeg. For two days only (April 12th and 13th), Brock Enright conducted a series of one-on-one instructional encounters inside of Where. These appointments were reserved ...

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