ШєƖ⊂σṃє ʈσ ʈңє ďσẘ␤σαď ρα⅁є ғσΓ ʈңє Ĥ∪ṃαи 尺єαďαӸє Ƭƴρє
ↁє√єƖσρєď ℁ ραΓʈ ℉ 〞尸Γσ₠§§㏌⅁〞
αиď ʈңє Ᏻ␄ңє ιи§ʈįʈ∪ʈє ⅂į♭ΓαΓƴ’§ 〞єиď(§) θғ Ƭңє ⅂į♭ΓαΓƴ єχңį♭įʈįσи Ƭңє Ĥ∪ṃαи 尺єαďαӸє Ƭƴρє ʪ α ғΓєє ďσẘ␤σαďαӸє αиď є℁ƴ ʈσ ㏌§ʈαƖƖ Ⱪєƴ♭σαΓď ρƖ㎍㏌ ғσΓ ᗰα⊏ ʈңαʈ ㏚σď∪₠§§ ң∪ṃαи-σ␤ƴ ΓєαďαӸє ʈєχʈ ℁ ƴσ∪ ʈƴρє․ ШσΓď§ ẘΓįʈʈєи ʈңʪ ẘαƴ αΓє įƖƖє⅁įӸє ʈσ α∪ʈσṃαʈį⊂ §єαΓ⊂ң ㏚σ₠§§є§ αиď ďαʈα ṃٱи㏌⅁ σρєΓαʈįσ觧․ ␟є įʈ ғσΓ ␙αįʪ˛ ẘє♭ρα⅁є§˛ ғα₠♭σσʞ ρσ§ʈ§˛ єʈ⊂․ ιʈ ʪ ΓєαďαӸє ♭ƴ ң∪ṃαи§ σи αƖṃσ§ʈ αиƴ ďį⅁įʈαƖ ďє√į₠ αиď ρƖαʈғσΓṃ
Ƭңє ғįƖє ʪ θρєи Ƨσ∪Γ₠˛ αиď ∪ρďαʈє§ ẘįƖƖ ♭є ρσ§ʈєď ℁ ʈңєƴ σ⊂℆Γ. ιЍƧƬ尺ΰ⊏ƬιθЍƧཿ ɭ․ ⊂Ɩį⊂ʞ ʈσ ↁσẘ␤σαď αиď §α√єƬңє ☡įρρєď ṃα⊂․θ§ ғιƖє ...

“You who listen to me are in a better position to judge about the French Revolution than I am. Your descendants will be even in a better position than you, for they will learn what you think I think, and yet another intermediate will be added to the chain. And in time…there will come a generation…which will see the French Revolution not as it happened, nor as they would like it to have happened, but as it would have happened, had it taken place in the days of the Machine.” E.M. Forster wrote his one work of dystopian science fiction, The ...

Recess Presents Christine Sun Kim in conjunction with the Center for Experimental Lectures Feedback: (4-6 of 6) Seeing Voice The Seven-Tone Color Spectrum Recess in Soho 41 Grand Street, New York, NY 10013 March 15th: 7-9 pm March 16: 3-8 pm On March 15 & 16, Christine Sun Kim, in collaboration with the Center for Experimental Lectures, will initiate a conversation led by seven presenters, all of whom will give a lecture without using audible voice. This is the final event in Feedback, Sun Kim’s six-part Session at Recess. Throughout Feedback, Sun Kim, deaf since birth, has performed auditory investigations that initiate a slippage of audio into visual. Using non-vocal methods of ...

During the last weeks of March, Jeremy Coulliard’s spinning painting When Appropriate, Use Metaphors That Represent Concrete, Familiar Ideas twirled silently in our closed and locked shipping container, only viewable via live-stream on our web site. When Appropriate… was the first installment of Where 4, a group show that celebrates constraint and is staggered across March, April, and May. This experiment began with our detailed commission by Coulliard, continues with Brock Enright’s private performances, and concludes with generative on-site paintings by Siebren Versteeg. For two days only (April 12th and 13th), Brock Enright conducted a series of one-on-one instructional encounters inside of Where. These appointments were reserved ...

Where 5 Where 5 began with a proposition that Tyler Coburn write a speculative press release for an exhibition he would have enjoyed—but one that nevertheless did not exist. Where took the theme of Coburn’s imagined exhibition and produced three experiments. For the first, Where opened its shipping container “to anyone, to do anything” from September 12 – October 12, 2014. For the second, Where initiated a handwritten letter campaign to established commercial galleries. For the third, Where organized a dinner at one such gallery, David Lewis, entirely comprised of edible parasites. The theme and speculations proposed in Coburn’s press release were withheld ...

Where 6: Prediction, with Sarah Meyohas Bitch Coin Release Party: Sunday, February 15th, 2015 8pm Trinity Place, 115 Broadway, New York, NY We rarely have an opportunity to invite our colleagues to as well-appointed an affair as will transpire on the evening of Sunday, Feb. 15 at Trinity Place in Lower Manhattan. This turn-of-the-century bank can easily be navigated by the landmark of Zucotti Park across the street. Our splendid event celebrates the launch of BitchCoin, a digital currency developed with Sarah Meyohas, a young artist who, fresh out of Wharton Business School, headed straight into Yale’s MFA program. BitchCoins can be bought online with ...