Andrew Pendakis

Cover art
Where do artifacts go when they are destroyed? They enter a void of historical erasure, of fabricated narratives and convenient amnesia. We used to call that place a museum. But what happens when a museum is itself destroyed, when it is burned or looted, when icons and artifacts turn to dust or fall back into the hands of people? Can we still access them, and do we even want to? As Boris Groys points out in this issue:.. Editorial Julieta Aranda, Brian Kuan Wood, Anton Vidokle Becoming Revolutionary: On Kazimir Malevich Boris Groys The Insurgents, Part I: Community-Based Practice as Military Methodology Nato Thompson Visions of Eternity: Plastic ...

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