Andreas Petrossiants

Publishere-flux2019
Koichiro Osaka’s text for this issue begins at the Sunshine 60 skyscraper in Tokyo. According to myth and a historical reading, the skyscraper is named for the sixty Japanese war criminals executed in 1948 in what was then Sugamo Prison. In 1978, the former prison became the tallest skyscraper in Asia. As Osaka explains, Sunshine 60 may be the largest war monument ever built. The building serves at once as a haunted gravesite and reassurance of the ongoing sunshine of fascism and capitalism. Also in this issue, Françoise Vergès describes a daily ritual in multiple urban centers where thousands of black ...
Publishere-flux2019
Today one may complain that life has been reduced to points in a matrix of relations—cities, territories, and historical narratives prematurely refined into categories of known and unknown, real and virtual, concrete and abstract space. And yet, when we need to locate a crucial resource (or ourselves, for that matter) who can afford not to search the grid for what everybody knows to be there?—the Italian restaurant, the emergency room, the ancestor, the terrorist. This is not simply about seeing; by definition, navigation organizes timescales and orders of magnitude that cannot be visualized simultaneously. Furthermore, in attempting to map and ...
Publishere-flux2019
Federica showed up for her appointment with the person who had agreed to purchase her soul. Thus begins Franco “Bifo” Berardi and Massimiliano Geraci’s novel Morte ai Vecchi (Death to the old), in which a device called KapSoul delivers “waves of empathic excitement” to young people before they descend into orgiastic violence against the elderly. The first serial installment of the translated novel is published in this issue of e-flux journal, with further installments coming in the near future. Also in this issue, Jonas Staal illuminates the Martian designs of Elon Musk and Jeff Bezos, with their unabashedly extractive colonial ambitions. But Staal also reminds ...
Publishere-flux2018
A riddle: One night, an arresting officer enters a holding cell full of people. He asks the group what they were doing congregating on the public thoroughfare that morning. Why bring their bodies out from home to stand together on the sidewalk, walk together on the street? The officer seeks connection. Somewhere in the cell’s radius a commercial window had been smashed. Somewhere in the cell’s radius was a changing of the guards. Thinking for a moment that they can see each other, one of the arrested persons asks in return, “Well, don’t you think another world is possible?” What ...
Publishere-flux2018
Masaccio painted his fresco of the Expulsion of Adam and Eve from Eden (c. 1424–28) just about 600 years before 2030, which is the current cutoff point for humans to curb global temperature rise, or risk quicker extinction. In Masaccio’s rendering, the expelled pair walk together from the green valley crying with open-mouthed agony. Caught in this moment during their walk of shame, their lips, especially Eve’s, surround gaping dark ovals: Where are their teeth?
Publishere-flux2019
The seventy-two dimensions of the universe are represented in a single vertebrate body: a snake coiled in a continuous circle, biting its own tail. This symbol was etched within The Enigmatic Book of the Netherworld, on the second shrine of a young king, Amen-tut-ankh, who, before he ascended, was once called Tutankhaten—the living image of Aten, the sun. The circled snakes (one rings around an etching of the mummified pharaoh’s head, the other around the feet) depict a confluence of the gods Ra and Osiris, light and death eternally returning, swallowed and reborn and always encircling night into day. Some historians ...
Publishere-flux2019
As we study the foundations of what we think we know, we might ask: What do we truly know? Mussolini’s regime banned not only words but five entire letters of the alphabet. In 2018, both “immortality” and “migration” were blocked indefinitely in web searches in China. How many letters or words, or even numbers, have been banned in the past? And among those, how many were never remembered again? In this issue of e-flux journal, Nikolay Smirnov examines the historical left-wing, Marxist splinter of Eurasianism and its merits in the face of contemporary neo-Eurasianist figures who have turned it towards nativist ...
Publishere-flux2019
In this issue of e-flux journal, Nikolay Smirnov examines the historical left-wing, Marxist splinter of Eurasianism and its merits in the face of contemporary neo-Eurasianist figures who have turned it towards nativist and right-wing agendas. Also in this issue, Khaled Saghieh, in the first essay of a series guest-edited by Marwa Arsanios, recounts the postwar intellectual debates of the 1990s in Beirut as a war of and on memory. A whole city can shift. The memory of what was, or what wasn’t, becomes an intellectual battlefield.
Publishere-flux2019
Defining the future is not easy. As we at e-flux journal look simultaneously backward and forward over our ten years of publishing, we wonder what lies ahead. This is issue #99 of the journal. Since we started with issue zero, this is actually our hundredth issue, amounting to nearly a thousand essays.1 Thinking ahead can be tricky, because the future always harbors a hidden object. Time does not move in one direction; it is not only the period we think we’re living in. Looking sideways, backward, at multiple shared timelines at once, we plan and we think ahead—but ahead of what? The restoration ...

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