Joshua Simon

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PublisherOnCurating.org2020
This issue compiles a series of perspectives on art-making and curating that consider forms of production through contemporary digital networks as well as increased reliance on digital technologies. We consider the issue as a much-needed start to discuss curating under digital conditions on our platform. Each interview, artwork, and article thinks through contemporary practices that rework or examine what the relationship of place, automation, labour, and archives have in relation to technological effects in production under neoliberalism. Four interviews focus on art practice and digital art-making and also how the digital is an asset in the making and production of ...
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Publishere-flux2010
Should everything be seen as raw material? It is a promise at the very heart of the language, the experience, the reception, the production of art. Hardened systems full of authority should be beaten back down to a point where their basic components become malleable, where as raw material they can play host to potentials, to promises of other ethics, of other forms completely. This can be done using literal, formal, figurative, poetical, or contextual means, and over the past century, just as now, this process of reduction and reconstitution has most often centered on the relationship between human labor and the ...
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Publishere-flux2011
The Gulf War did not take place, as Baudrillard notoriously put it. But now something else has taken place, and it did not happen in the doldrums of virtuality, but in the streets and squares of Tunis, Cairo, Benghazi, and elsewhere. It seems that the prospect of an all-encompassing condition of techno-saturated anorexia, perhaps appropriate for a time when communications networks and the tools for producing reality were situated in the hands of governments and telecommunications tycoons, has been inverted. No one could have foreseen the perseverance of reality over mass-deception, the weaponization of communications networks in the hands of ...
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Publishere-flux2011
Released on October 8, the second issue of the Occupied Wall Street Journal included an editorial note entitled “No list of demands,” responding to the perceived absence of strong messaging offered by the movement. The note specified that:.. Editorial Julieta Aranda, Brian Kuan Wood, Anton Vidokle The Time That Remains, Part I: On Contemporary Nihilism Sotirios Bahtsetzis The Contemporary Is Still Forthcoming Jalal Toufic World as Medium: On the Work of Stano Filko Jan Verwoert Queer Temporalities and the Chronopolitics of Transtemporal Drag Antke Engel Neo-Materialism, Part Three: The Language of Commodities Joshua Simon Eupalinos and the Duck: Conceptualism in Recent Architecture Mona Mahall Letters to the Editors: Responses to Jon Rich’s “The Blood ...

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