Increasingly it seems like no large exhibition opens without an artist boycott. And the reasons to withdraw are legitimate—a gulf museum employs migrant labor under terms approaching slavery, a biennial sponsor corporation operates an offshore detention center, works are censored for petty moral reasons, a municipality passes a homophobic law, or funding is traced to an occupying state with a staggering record of ongoing human rights abuses…
Julieta Aranda, Brian Kuan Wood, Anton Vidokle
The Detweeting of Academia
Circulation and Withdrawal, Part I: Circulation
CCC: Currency of Collective Consciousness
Déjà Vu and the End of History
Media Archaeology Out of Nature: ...