Iconoclasm beyond Negation: Globalization and Image Production in Mosul

<p>After being destroyed, many monuments and artifacts take on another life through representations. Disappearance no longer proves synonymous with forgetting or loss, but rather forms the condition of possibility for a specific mode of image production.</p>

Authors:

Aggregate Architectural History Collaborative

Part of: The Destruction of Cultural Heritage: From Napoléon to ISIS

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