Iconoclasm beyond Negation: Globalization and Image Production in Mosul
<p>After being destroyed, many monuments and artifacts take on another life through representations. Disappearance no longer proves synonymous with forgetting or loss, but rather forms the condition of possibility for a specific mode of image production.</p>
Authors: Thomas Stubblefield
Aggregate Architectural History Collaborative
Part of: The Destruction of Cultural Heritage: From Napoléon to ISIS