Globalization

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Against Art History critically evaluates decolonial art exhibitions and curatorial frameworks. It asks to what extent art history can be decolonial, when its disciplinary and architectural foundation, the museum, is an inherently colonial institution. Shirazi thus examines whether new curatorial frameworks, such as in Exhibitions Without Objects (EwO) which internationalise the modernist canon of non-Western arts, undo or amplify the violence perpetrated by Euro-American historical narratives.
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The Biennals in Pakistan explores popular political, religious and nationalistic dogmas that have influenced art-making in Pakistan since the 1990s. It addresses the gap between the conception and the reception of public art within Pakistani society that has arisen since the country began hosting visual art biennales and festivals in Lahore, Karachi and Islamabad.
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PublisherVan Abbemuseum2019
This e-book offers the findings of the conference ‘Conceptualism – Intersectional Readings, International Framings: Situating “Black Artists & Modernism” in Europe After 1968’ at the Van Abbemuseum Eindhoven, 7–9 December 2017, presented by Black Artists & Modernism in collaboration with the Van Abbemuseum. The conference and the accompanying e-publication gathered artists, curators and academics to consider two broad, overarching questions: Firstly, how to rethink conceptualism intersectionally and internationally as a strategy rather than as a movement; and secondly how to situate ‘black artists’ and ‘modernism’ within Europe? The conference and corresponding publication includes key note lectures by Iris Dressler and ...
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Hatshepsut the Drag Queen explores the pitfalls and benefits of non-geographic framing in exhibition-making. Based on Johnson’s own experience as a Middle East North Africa curator at the National Museum of World Cultures in the Netherlands, the essay deconstructs thematic, region-specific exhibitions whilst seeking to expand terms of art viewership by learning from platforms such as the Sharjah Biennial.
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Exhibition catalogs and newly commissioned essays from L’Internationale, a confederation of seven modern and contemporary art institutions: Moderna galerija (MG+MSUM, Ljubljana, Slovenia); Museo Nacional Centro de Arte Reina Sofía (MNCARS, Madrid, Spain); Museu d’Art Contemporani de Barcelona (MACBA, Barcelona, Spain); Museum van Hedendaagse Kunst Antwerpen (M HKA, Antwerp, Belgium); Muzeum Sztuki Nowoczesnej w Warszawie (Warsaw, Poland), SALT (Istanbul and Ankara, Turkey) and Van Abbemuseum (VAM, Eindhoven, the Netherlands). L’Internationale works with complementary partners such as Valand Academy (Gothenburg, Sweden) and the National College of Art and Design (NCAD, Dublin, Ireland) along with associate organisations from the academic and artistic fields. ...
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March Meeting Papers is a series of essays selected from Sharjah Art Foundation’s March Meeting 2021 Open Call, which invited artists, writers and thinkers to expand on curator Okwui Enwezor’s influential thinking about the biennial as a platform to engage with history, politics and society. Taken together, the series reveals the extent to which the biennial, such as the Sharjah Biennial now celebrating its 30th anniversary, has contributed to the realisation of new narratives and experiences of modern and contemporary art. Sharjah Art Foundation’s March Meeting is an annual convening of artists, curators and art practitioners from around the world who ...
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PublisherOnCurating.org2011
This edition of On-Curating.org deals with aspects of the public sphere, public space, and public art in seven different metropolises around the world. The point of departure was a competition that was held for a master plan for public art in the new Europaallee district in the centre of Zurich, the first such plan in Switzerland…
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PublisherUrbanomic2016
In his response to Alain Badiou’s analysis of the terrorist attacks in Paris, Nick Land detects a residue of ‘Frenchness’ in Badiou’s universalism, reconfigures the battlefield of the future, and plays devil’s advocate for globalised capitalism.

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