Globalization

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PublisherThe Funambulist2014
This podcast is the first one to have two guests, Miami-based artists, writers and editors Gean Moreno and Ernesto Oroza, for an account of their collaborative work manifested in several texts and exhibitions. This conversation focuses on their analysis of “Generic Objects” that allows the optimal function of globalized capitalism (containers, cranes, ships, highways, palettes, buckets, etc.) through a universal metric system, as well as a more local tinkering of these objects in Miami’s Little Haiti for a more local economic form. It concludes the short series of podcasts in Miami. Gean Moreno is an artist and writer based in Miami. ...
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PublisherMACBA2014
Walter Mignolo (1941, Córdoba, Argentina) is a semiotician and professor at Duke University, who has published extensively on semiotics and literary theory, and worked on different aspects of the modern and colonial world, exploring concepts such as global coloniality, the geopolitics of knowledge, transmodernity, border thinking, and pluriversality. In “Enacting the Archives, Decentring the Muses,” Mignolo reads through the Museum of Islamic Art and of Asian Civilizations Museum, attempting to decolonize the single story of western museums by showing how de-westernization works. The author’s argument will be that the de-colonial story of western museums through the appropriation of the museum model ...
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PublisherMACBA2007
Andreas Huyssen is the Villard Professor of German and Comparative Literature at Columbia University, where he served as founding director of the Center for Comparative Literature and Society (1998-2003). He chaired the Department of Germanic Languages from 1986-92 and again as of 2005. He is one of the founding editors of New German Critique, the leading journal of German Studies in the United States (1974-) and he serves on the editorial boards of October, Constellations, Germanic Review, Transit, Key Words (UK), and Critical Space (Tokyo). In 2005, he won Columbia’s coveted Mark van Doren teaching award. His research and teaching ...
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Against Art History critically evaluates decolonial art exhibitions and curatorial frameworks. It asks to what extent art history can be decolonial, when its disciplinary and architectural foundation, the museum, is an inherently colonial institution. Shirazi thus examines whether new curatorial frameworks, such as in Exhibitions Without Objects (EwO) which internationalise the modernist canon of non-Western arts, undo or amplify the violence perpetrated by Euro-American historical narratives.
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After the loss of a counter-model for capitalism—which socialism, in its real, existing form had presented until its collapse—alternative concepts for economic and social development face hard times at the beginning of the twenty-first century. In the industrial nations, broadly discussed are only those “alternatives” that do not question the existing power relations of the capitalist system and representative democracies. Other socio-economic approaches are labeled utopian, devalued, and excluded from serious discussion if even considered at all. This edition of the republicart web journal presents transcriptions from 13 videos from Oliver Ressler’s thematic installation Alternative Economics, Alternative Societies focusing on diverse ...
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The compositions, essays, videos and architectural projects in this collection explore strategies and technologies of investigating beyond the predominantly Western modernist architectural format and the main framework for today’s uncontested architectural sites, trying to obscure, contradict or amplify on the notions of modernity. Echoing processual music terminologies, the dissonant practices and structures transform energy, twist and interfere with the virtual and physical context around, in a macro form on the territory of the complexity drive to change the ideologies of the fixed urban form. Through the approach of decolonial thinking being and doing one question that emerges is how to ...
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The Biennals in Pakistan explores popular political, religious and nationalistic dogmas that have influenced art-making in Pakistan since the 1990s. It addresses the gap between the conception and the reception of public art within Pakistani society that has arisen since the country began hosting visual art biennales and festivals in Lahore, Karachi and Islamabad.
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Sunday 25 March | Doors 7pm | Admission Free Louise-Michel, France (2008) 91mins directed by Gustave de Kervern & Benoît Delépine Laukaus tehtaalla AKA A Shot in the Factory, Finland (1973), 79 mins Directed by Erkko Kivikoski What to do when the workers of a factory have been laid off overnight? Louise has an original idea: why not pool the compensation money to… hire a hit man and to liquidate the boss? Motion accepted so Louise goes in search of the gem they need and unfortunately comes across Michel, a stinky security specialist. Michel, who is busted, gladly accepts the deal but proves so inept ...
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PublisherOnCurating.org2019
Artistic and curatorial practices can be seen as the prime testimonies of transformative movements—on the one hand situated in a specific site and region, and on the other, transgressing disciplines, classes, norms—proposing new forms and relations of living and establishing these practices (building centres along the way) but at the same time always changing their positions, never staying at the centre, but instead unfolding on the periphery of social life. In this OnCurating Issue, we searched for and researched projects and institutions that hold at their core something between the lines of centres–peripheries with their transversal practices and modus operandi. For ...
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PublisherVan Abbemuseum2019
This e-book offers the findings of the conference ‘Conceptualism – Intersectional Readings, International Framings: Situating “Black Artists & Modernism” in Europe After 1968’ at the Van Abbemuseum Eindhoven, 7–9 December 2017, presented by Black Artists & Modernism in collaboration with the Van Abbemuseum. The conference and the accompanying e-publication gathered artists, curators and academics to consider two broad, overarching questions: Firstly, how to rethink conceptualism intersectionally and internationally as a strategy rather than as a movement; and secondly how to situate ‘black artists’ and ‘modernism’ within Europe? The conference and corresponding publication includes key note lectures by Iris Dressler and ...
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PublisherSaraba2016
Will you be able to tell love apart from crime or crime apart from love? Not a cheeky paradox, clearly an essential question in Pemi Aguda’s “Smother.” We are smothering each other. How might we respond? In the diaspora, Arthur Anyaduba argues in “Alimony,” the foreign African, finding a mismatch between cultural stereotypes and Western justice, takes to self-help. But he’s in a dream. Except that it’s not exactly a dream: Moses Kilolo’s “immortal precariat,” wanders into the belly of the night after a fight with his lover. He is shot. He is swallowed by infinity, ill-fated. Can we escape the “faceless puppeteers ...
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PublisherMACBA2007
Néstor García Canclini (Argentina, 1939) has been a professor and researcher at the Mexico’s Autonomous Metropolitan University, Iztapalapa Unit, where he directs the Cultural Studies Program. He has traveled to many Universities as a visiting professor, among them Naples, Austin, Stanford, Barcelona, Buenos Aires and São Paulo, and has published more than 20 books on Cultural Studies, globalization and Urban Imagination, many of which has been translated to other languages. Among those, important titles are Hybrid Cultures(1995), which won the Latin American Studies Association’s award for best book about Latin America, and Las culturas populares en el capitalismo (1981), which ...

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