For this piece, I created a foundation – or “backing track” – that can be used for a variety of playback scenarios. It incorporates on-site recordings and excerpts of cassettes and audio files from my personal archive, including: crowd noise (date and time unknown), guitar and tape recordings (2006 or 2007), synthesizer and electronics (2008), percussion / loop cassettes (2007), and recordings of live noise shows (artists unknown, circa 2008).

Preference was given to sounds of an unknown or barely remembered origin.

These audio clips were mixed with recorded ambiences from a visit to Vox Populi Gallery in Philadelphia on the afternoon of April 14, 2017, in addition to the audio from a solo performance at Vox on the evening of April 15. The ambient material recorded on the 14th includes sounds from the art exhibit that was installed at the time, as well as my own footsteps, the sound of folding chairs, and the occasional interjection of my infant son. The performance on the 15th was recorded by a microphone placed by an open window in an adjacent gallery facing N. 11th Street.

Silence and artificial ambience were added where necessary.

It was my intention to create music out of things that already exist – to not generate more recordings – and to constantly change the perspective for the listener, whether they were listening to this as a stand-alone audio track (as presented here) or in a live performance. Having recently moved from Providence to Philadelphia, it also served as a practical exercise in the unpacking of physical possessions.

Presently, this piece has been performed twice. In addition to the gig at Vox Populi, this current version was used for a performance at the Silent Barn in Brooklyn, NY on April 29, 2017, as part of the Ende Tymes VII festival. Each version was quite different, and included additional materials dictated by the situation.

Timeline of Events:

00:00 – 00:10: crowd noise (date and time unknown)
00:10 – 00:15: silence
00:15 – 00:24: crowd noise
00:24 – 00:26: synthesizer and electronics (2008)
00:26 – 00:40: vox performance (4.15.17)
00:40 – 01:07: vox gallery (4.14.17)
01:07 – 01:10: guitar and tape (2006-2007)
01:10 – 01:21: silence
01:02 – 02:03: vox gallery
02:03 – 02:07: outside window of vox gallery
02:07 – 02:09: guitar and tape
02:09 – 02:10: silence
02:10 – 02:33: vox gallery
02:33 – 02:40: ambience
02:40 – 03:03: vox gallery
03:03 – 03:05: synthesizer and electronics
03:05 – 03:11: vox performance
03:11 – 03:30: guitar tape
03:30 – 03:52: vox performance
03:52 – 03:53: vox gallery (in the black box performance space)
03:53 – 04:05: noise tape (date and time unknown)
04:05 – 04:20: vox black box
04:20 – 04:22: ambience
04:22 – 04:23: silence
04:23 – 04:24: synthesizer and electronics
04:24 – 04:31: silence
04:31 – 04:57: vox gallery
04:57 – 05:01: silence
05:01 – 05:45: vox performance
05:45 – 05:53: vox gallery
05:53 – 06:09: vox performance
06:09 – 06:25: vox gallery
06:25 – 06:27: synthesizer and electronics
06:27 – 06:33: ambience
06:33 – 06:37: silence
06:37 – 07:38: vox gallery
07:38 – 07:40: silence
07:40 – 07:52: vox gallery
07:52 – 07:58: guitar tape
07:58 – 08:00: synthesizer and electronics
08:00 – 08:39: black box
08:39 – 09:13: guitar tape
09:13 – 09:22: vox performance
09:22 – 09:26: vox gallery
09:26 – 09:28: silence
09:28 – 09:32: ambience
09:32 – 09:40: silence
09:40 – 09:56: vox gallery
09:56 – 10:36: guitar tape
10:36 – 11:15: vox performance
11:15 – 11:22: vox gallery
11:22 – 11:28: percussion / loop tapes (2007)
11:28 – 11:32: synth and electronics
11:32 – 11:38: noise show (circa 2008)
11:38 – 11:47: silence
11:47 – 12:25: leaving vox populi, afternoon of April 14

– GM

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