Art museum curators

In the second episode of Seeing is Forgetting, Aaron Moulton and I discuss how repressive logic inhibits freedom of expression, participatory anthropology, recursive exhibition making, and the power of dark magic. “…the last place you’ll have an avant-garde experience is the art gallery, because you’re so prepared to potentially have one, and for that reason not have one” A.M.

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Dan Cameron discusses critical writing becoming a function of the market, approaches to curating, the legacy of Marcia Tucker, and issues of gay and lesbian identity in contemporary art. “…your identity can be the source of your work…today, not only is that accepted, it’s cliché. That wasn’t always the case.” D.C.

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PublisherBadlands Unlimited2013
Think Like Clouds collects for the first time the diagrams, notes, and drawings curator Hans Ulrich Obrist has made for the past twenty-two years. Obrist has curated exhibitions worldwide and has interviewed personalities in nearly every field of endeavor: from architect Rem Koolhaas to painter Gerhard Richter to author and historian Studs Terkel. During conversations and curatorial work he draws and takes notes obsessively in order to help him remember and expand the topic at hand. But what ends up being drawn on hotel stationery or printouts of emails are more than mere memory aids. Beautiful and enigmatic, they are ...

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