Natural Resources

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Research regarding the significance and consequence of anthropogenic transformations of the earth’s land, oceans, biosphere and climate have demonstrated that, from a wide variety of perspectives, it is very likely that humans have initiated a new geological epoch, their own. First labeled the Anthropocene by the chemist Paul Crutzen, the consideration of the merits of the Anthropocene thesis by the International Commission on Stratigraphy and the International Union of Geological Sciences has also garnered the attention of philosophers, historians, and legal scholars, as well as an increasing number of researchers from a range of scientific backgrounds. Architecture in the Anthropocene: ...
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PublisherArchive Books2020
Initiated by visual artist, researcher and amateur plant breeder Åsa Sonjasdotter, in collaboration with practitioners of cultivation, the project Peace with the Earth – Tracing Agricultural Memory, Refiguring Practice revisits histories of agriculture. It investigates soil, habitat and dwelling histories, in order to challenge and transform long-established cultural narratives of cultivation and ecological thinking.
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Taking as its premise that the proposed epoch of the Anthropocene is necessarily an aesthetic event, this collection explores the relationship between contemporary art and knowledge production in an era of ecological crisis. Art in the Anthropocene brings together a multitude of disciplinary conversations, drawing together artists, curators, scientists, theorists and activists to address the geological reformation of the human species. Contributors include Amy Balkin, Ursula Biemann, Amanda Boetzkes, Lindsay Bremner, Joshua Clover & Juliana Spahr, Heather Davis, Sara Dean, Elizabeth Ellsworth & Jamie Kruse (smudge studio), Irmgard Emmelhainz, Anselm Franke, Peter Galison, Fabien Giraud & Ida Soulard, Laurent Gutierrez ...
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We entrust readers with thirty fragments of reflections, meditations, recollections, and images—one for each year that has passed since the explosion that rocked and destroyed a part of the Chernobyl nuclear power station in April 1986. The aesthetic visions, thoughts, and experiences that have made their way into this book hover in a grey region between the singular and self-enclosed, on the one hand, and the generally applicable and universal, on the other. Through words and images, we wish to contribute our humble share to a collaborative grappling with the event of Chernobyl. Unthinkable and unrepresentable as it is, we ...
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The fifth episode of the Corona Under the Ocean series, featuring feminist philosopher Astrida Neimanis, puts into practice one of the author’s methodologies: “thinking with water.” As a material, water not only enables a relational ontology when thinking about the reality that bodies inhabit and produce, but also allows for an understanding of feminism that transcends the human and incorporates a planetary and intersectional scale where race, class, and gender are in constant intra-action. This podcast is the result of a conversation between Astrida Neimanis and Sonia Fernández Pan, where the Covid-19 pandemic was also a constant, an atmospheric condition ...
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The the tenth and final episode of the Corona Under the Ocean series, with artist and filmmaker Su Yu Hsin, began with one of her many memories related to water, and how the appearance of light on water is indispensable for her when thinking with water. Su Yu Hsin’s homeland, Taiwan, is an island where water has a strong presence due to typhoons and the island’s atmospheric condition. In her artistic practice, she approaches ecology in its close relationship with technology, also investigating the ideology inherent to map-making throughout history and to this day. This podcast episode is the result ...
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The fourth episode of the Corona Under the Ocean series, with agent of healing and artist Tabita Rezaire, is dedicated to the memory of water and its existence in flow within bodies. Water has Memory is the result of an intimate, personal, and mostly unscripted conversation between Tabita Rezaire and Sonia Fernández Pan. It even includes environmental elements, such as rain, showing how words, feelings, and ideas are also part of the flow of life that circulates through bodies. The great connecting element of this conversation is water, understood beyond its usual contexts to think through connections and interactions including ...
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PublisherStrelka Press2014
As growth was the defining condition of the 20th century, so scarcity is set to define the 21st. Already it pervades political discourse and shapes our reading of the economy and the environment. But scarcity is not just the inevitable result of growth and resource exploitation – every innovation results in new scarcities. Scarcity is constructed daily through the creation of desire, it is designed. The authors of this timely essay set out to establish a more sophisticated understanding of scarcity. Moving beyond the idea that lack and inequality are simply laws of nature, they argue that scarcity can be ...
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PublisherAshkal Alwan2014
Yes, the nature of Geology is, at the same time, both invisible and strongly material. Geologists often use a term that I find interesting for its allegorical potential: The Picture. It is common to say, for example, ‘you do not get The Picture’. And it’s interesting because %99 of The Picture is lost. Rocks and mineral compositions are pieces of The Picture. The movement of tectonic plates and the crest of a ridge are pieces of The Picture. The deposition of strata is also part of The Picture. The Picture is missing and we can only see small and fragile ...
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Publisher[NAME]2018
In 2018 [NAME] Publications launched dispatches, an online journal that explores the cross-cutting relations between everyday and formalized cultural production and the enduring colonial logic of capitalism. Published in Spanish and English, each issue of the journal offers a variety of contributions that analyze emergent tendencies that cast their lot with anti-extractivist and climate struggles, alert us to cultural and territorial dispossession, highlight new forms of resistance and epistemological reconfigurations, and in the process offer a prism through which to read the complex configurations that define our contemporary moment.
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The first issue of The Distance Plan journal outlines an idea: that distance is a useful metaphor for talking about climate change. It contains essays, an interview and artworks which speculate on the possibilities, and implications, of this image of distance. Published at a time when popular awareness of climate change—particularly in the context of the arts—was significantly underrepresented, this journal primarily sought to heighten visibility and stimulate discussion.
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What would a conversation with a piece of asbestos, or a piece of plastic stranded on the shore of the Schuylkill River be like? And how could a conversation transpire, between things and researchers and other things, if they landed in the same place and found for themselves a common language? Imprinted by Philadelphia’s singular industrial and technological history, the soils, water systems, and infrastructures of the Delaware Valley tell a story of the Anthropocene, the contentious and debated terminology for this “new” and anthropocentric geological era in which human activities have forever altered Earth’s ecosystems. For the Anthropocene Campus ...

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