Whakapapa

<p>Throughout the season, Lauren Wetmore and Sky Goodden will speak with participants of the Momus residency, “Estuaries: An International Indigenous Art Criticism Residency,” created with Forge Project and led by Dr. Léuli Eshrāghi (Sāmoa) and Candice Hopkins (Carcross/Tagish).</p> <p>To launch this series, Wetmore speaks with writer and curator Megan Tamati-Quennell, who is of Te Āti Awa, Ngāi Tahu, KātiMāmoe, and Waitaha Māori descent and is Curator of Modern and Contemporary Māori and Indigenous Art at Museum of New Zealand | Te Papa Tongarewa in Wellington, New Zealand. Wetmore and Tamati-Quennell discuss a 2006 text on artist Michael Riley by Australian historian Nikos Papastergiadis, as well as Tamati-Quennell’s own writing and research, where she makes use of “Whakapapa,” a knowledge system that binds all Māori people.</p> <p>“The joy is being able to put something into the world, and honor some people, and maybe shift some ground,” says Tamati-Quennell about her ongoing work.</p>

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Momus

Part of: Momus: The Podcast

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