Mary Walling Blackburn

PublisherPaper Monument2012
Draw It with Your Eyes Closed: the Art of the Art Assignment is a unique and wide-ranging anthology featuring essays, drawings, and assignments from over one hundred contributors including John Baldessari, William Pope.L, Mira Schor, Rochelle Feinstein, Bob Nickas, Chris Kraus, Liam Gillick, Amy Sillman, James Benning, and Michelle Grabner. Bringing together assignments, anti-assignments, and artworks from both teachers and students from a broad range of institutions, we hope it simultaneously serves as an archive and an instigation, a teaching tool and a question mark, a critique and a tribute.
Publishere-flux2020
Following the collapse of the Soviet Union, a “global” art world began to form. Sure, there were already a number of world’s fairs and established international biennials, but this would be different. From the 1990s onward, national boundaries would dissolve, centers and peripheries would level out, and the internet would host worldwide cultural exchange. In many ways this really did happen, but some other things also happened. As people and ideas began to move across borders, money did too. Faced with an unmanageable planetary scale, capital became a more efficient regulator of flows than laws or nations. Suddenly, capital rose ...
Publishere-flux2011
In the February 2009 issue of e-flux journal, Luis Camnitzer suggested in his essay “Art and Literacy” that a core problem in education (particularly for artists) can be traced back to an early stage when one is taught to read and write, in that order.1 On one level, it is simple common sense to suppose that one can only begin to write after learning how to read. But, at the same time, this ordering also takes for granted that consumption must necessarily come before production—only after you consume knowledge will you then be capable of producing it. It is a fundamental ...
Publishere-flux2014
One common explanation for why intellectual property makes no sense in an era of file-sharing uses the example of what happens when you copy a file on a computer. Copy-Paste: a second file has been produced, but the original is unaltered. Now it has a sibling, a partner, a twin. And if they keep reproducing themselves in this way, no problem. Which is to say that, at least in the digital domain, the entire calculus of scarcity is very different from the material domain. The difference between a single entity, two entities, or a billion is almost nil. Under these ...
Publishere-flux2015
Having no body and no name is a small price to pay forbeing wild, for being free to move across (some) countries,(some) political boundaries, (some) historical ideologies, and(some) economies. I am the supercommunity, and you areonly starting to recognize me. I grew out of something thatused to be humanity. Some have compared me to angrycrowds in public squares; others compare me to wind andatmosphere, or to software. Some say they have seen memoving through jet–lagged artists and curators, or migrantlaborers, or a lost cargo ship that left a trail of rubber ducksthat will wash up on the shores of the ...
Publishere-flux2018
In ten seconds, how many synonyms can you think of for the word “power”? And then, just when you thought that you finally got the hang of how the power structures around you function, they seem to be coming undone. But are they really coming undone, or is the current that’s pushing and pulling at them not much more than a massage, a way to keep them up to date that stays only on the surface and is not able to touch the center. What is feminism, precisely? What are feminisms today? To answer these questions and myriad others, the next two issues ...
Publishere-flux2018
Masaccio painted his fresco of the Expulsion of Adam and Eve from Eden (c. 1424–28) just about 600 years before 2030, which is the current cutoff point for humans to curb global temperature rise, or risk quicker extinction. In Masaccio’s rendering, the expelled pair walk together from the green valley crying with open-mouthed agony. Caught in this moment during their walk of shame, their lips, especially Eve’s, surround gaping dark ovals: Where are their teeth?
PublisherEar | Wave | Event2017
Art is, has always been, as Bersani suggests, a kind of alternative to “sex,” another mode of modulating the most intimate relation between soma and psyche. And the stakes of that “other” mode, those “other relational fields,” would be toward the articulation of forms of life divorced from the literal and symbolic traces of white hetero-sexist patriarchy. Our contention is that musicians such as Oliveros, as well as authors featured in this issue, have inherently understood and been working on this all along. The current political moment demands that we not only perpetually recall the radical orientation of “the experimental” ...

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