Lesley Moore
The Bare Prison of Santo Stefano is the seventh issue of a series of publications published by Wilfried Lentz. The Bare Prison of Santo Stefano (2011) is published as an accompaniment to the presentation of a series of works with the same title at Frieze Art Fair 2011. This publication is signed and numbered in an edition of 250.
The Prison of Santo Stefano, 2011 is informed by research into the state of detention. Focusing on a prisoner’s general conditions, Biscotti analyses the psychological effects caused by isolation, the aim of which is to destroy physical and intellectual abilities. The project ...
On Discipline is the sixth issue of a series of publications published by Wilfried Lentz. On Discipline was published in March 2011 as an accompaniment to Josef Dabernigs solo show with the same name. The issue consists of a poster as well as a booklet with a text by the philosopher Sjoerd van Tuinen. The text focuses on the subject of discipline and presents an historical overview of notions by philosophers such as Nietzsche, Foucault and Sloterdijk.
The installation consists of a disciplinary environment, where three films are shown in a daylight situation, on monitors and screens, as part of a ...
Published as an accompaniment to the show Not Created By a Human Hand curated by Wilfried Lentz. From 24 December to 24 January 2009 at Wilfried Lentz gallery and from February 4-7, 2009 at Art Rotterdam. Opening of the show on Christmas Eve 2009, groothandelsgebouw Rotterdam. With this publication is a signed and numbered artist edition of James Beckett and Joachim Koester.
Not Created By A Human Hand was conceived as an invitation to several artists to create a new work that responds in some way, to either the shroud of Turin or the first photograph of it, by Secondo Pia. ...
The Revenants is the ninth issue of a series of publications issued by Wilfried Lentz Rotterdam. The Revenants is published as an accompaniment to the exhibition The Revenants by Moyra Davey at Wilfried Lentz Rotterdam (April 11 – June 21, 2015). This artist publication is signed and numbered in an edition of 250 by Moyra Davey. Texts by Moyra Davey and Hannah Gregory.
The title “The Revenants,” comes from the French word meaning “to return,” refers to Davey’s evocation of both literary history and personal history. Inspired by the experimental modernist architecture of our gallery space, The Revenants represents a continuation ...
Scolpire il Tempo is the fifth issue of a new series of publications issued by Wilfried Lentz Rotterdam. The 5th gallery publication Scolpire il Tempo (2010) is published on the occasion of Giorgio Andreotta Calò’s solo exhibition at the gallery where the artist showed for the first time his Clessidra sculptures. Texts by Mara Ambrozic and Marco Pasi.
Giorgio Andreotta Calò produced a series of bronze sculptures made from deteriorated mooring poles found in the Laguna of Venice. Through time, the salt water and the tide has transformed these poles into rough and fantastic looking conical shapes. These shapes are used ...
Thrillochromes is the eight issue of a series of publications issued by Wilfried Lentz Rotterdam. Thrillochromes is published as an accompaniment to Michael Portnoy’s solo show THRILLOCHROMES taking place at the gallery from 2 Novemebr to 7 December 2013. This artist publication is signed and numbered by the artist in an edition of 250. Texts by Tirdad Zolghadr (Touchdowns, thoughts on hermetics vs. hermeneutics) and Diane Bent (Abstraction: You know it’s the smell).
THRILLOCHROMES imagines a subterranean world where such overblown directives (Dismantle… ! Infiltrate… !) are the scores for a collection of trench-coated operatives in a series of abstract thriller films ...
Tia Ciata’s Open-House: The Everyday as Stage is the first of a new series of publications issued by Wilfried Lentz Rotterdam. Published as an accompaniment to Aprés la reprise, la prise, an exhibition of a new work by Wendelien van Oldenborgh. from 5 September to 11 October 2009 at Wilfried Lentz gallery. With this publication is a signed and numbered transcript of Wendelien van Oldenborgh’s work Aprés la reprise, la prise.
Après la reprise, la prise was filmed on location at the Royal Technical Atheneum (KTA) in Mechelen (B) with a group of students from this school and two former Levis ...
Publication series with content related to the work of gallery artists and exhibitions. Due to the research-based practice of most of the artists, there is a lot of interesting material that can not be read directly in the work itself but is worth publishing. The articles are written by writers and scholars who are specialists in the artists’ fields of research. The design is by Lesley Moore.
Zakłady na Życie (Plant-Life) is published as an accompaniment to a show of the same title from 13 February to 24 April 2010 at Wilfried Lentz Rotterdam, a performance from May 20-29, 2010 at Festival aan de Werf, Utrecht and at Playground at Stuk in Leuven in 2011. The museum installation is shown at Liste Basel June 14-20, 2010 by Wilfried Lentz. With this publication is a signed and numbered artist edition of James Beckett (500 copies). Text by Will Holder.
Zakłady na Życie (Plant-Life) is a performance and installation environment exploring Poland’s industrial past. In English, “Plant-Life” is a play ...
Zero Sum Gain is the fourth issue of a series of publications issued by Wilfried Lentz Rotterdam. Published as an accompaniment with the show Science of the strange from 4 September to 9 October 2010 at Wilfried Lentz Gallery. The publication consists of a poster, signed by the artist, in an edition of 500 along with a small booklet. Moosje Goosen contributed to the publication with a text focusing on the surreal aspect of Heltoft’s work, and artist Miljohn Ruperto has written an essay on the issue of transforming objects without actually altering them physically.
Ulrik Heltoft is interested in what ...
