Lesley Moore
The Bare Prison of Santo Stefano is the seventh issue of a new series of publications issued by Wilfried Lentz Rotterdam. Published as an accompaniment to the presentation at Frieze Art Fair 2011 from 13 october to 16 October 2011 by Wilfried Lentz Gallery. This publication is signed and numbered in an edition of 250 by Rossella Biscotti.
On Discipline is the sixth issue of a neW series Of publications issued by Wilfried Lentz Rotterdam. Published as an accompaniment to the show ‘On Discipline’. from 19 march to 23 april 2011 at Wilfried Lentz gallery. This publication is signed and numbered in an edition of 250 by Josef Dabernig.
Published as an accompaniment to the show ‘Not Created By a Human Hand’ curated by Wilfried Lentz. From 24 December to 24 January 2009 at Wilfried lentz gallery and from February 4-7, 2009 at Art Rotterdam. Opening of the show on Christmas eve 2009, groothandelsgebouw Rotterdam. With this publication is a signed and numbered artist edition of James Beckett and Joachim Koester.
THE REVENANTS is the ninth issue of a series of publications issued by Wilfried Lentz Rotterdam. Published as an accompaniment to the exhibition The Revenants at Wilfried Lentz Rotterdam (April 11 – June 21, 2015). This artist publication is signed and numbered in an edition of 250 by Moyra Davey.
Scolpire il Tempo is the fifth issue of a new series of publications issued by Wilfried Lentz Rotterdam. published as an accompaniment to the show ‘Scolpire il tempo’. From 30 october to 11 december 2010 at Wilfried Lentz Gallery.
THRILLOCHROMES is the eighth issue of a series of publications issued by Wilfried Lentz Rotterdam. Published as an accompaniment to the show ‘THRILLOCHROMES’ from 2 November to 7 December 2013 at Wilfried Lentz Rotterdam. This artist publication is signed and numbered in an edition
of 250 by Michael Portnoy.
Tia Ciata’s Open-House: The Everyday as Stage is the first of a new series of publications issued by Wilfried Lentz Rotterdam. Published as an accompaniment to Aprés la reprise, la prise, an exhibition of a new work by Wendelien van Oldenborgh. from 5 september to 11 October 2009 at Wilfried Lentz gallery. With this publication is a signed and numbered transcript of Wendelien van Oldenborgh’s work Aprés la reprise, la prise.
As an accompaniment to some of the shows we put forth a publication with content related to the work of the artists. Due to the research-based practice of most of the artists, there is a lot of interesting material that can not be read directly in the work itself but is worth publishing. The articles are written by writers and scholars who are specialists in the artists’ fields of research. The design is by Lesley Moore.
# 1 Tia Ciata’s Open House (as an accompaniment with Wendelien van Oldenborgh’s show Après la Reprise La Prise, September 2009)
# 2 On the Art ...
‘Zakłady na Žycie’ (Plant-life) is a museum environment exploring Poland’s industrial past. a plant can be as much a photosynthetic organism as a factory, power-station, or other large industrial complex. it is in this sense the piece attempts to achieve as much as state of David Attenborough as it does anthropological glance into the life of factories across Poland.
Using relics gathered from both functioning factories and industrial ruins around the country, the installation* is based on a workers health and safety display, found in a power station in Lódz. the experience allows one to zoom-in, from the larger level of ...
Zero Sum Gain is the fourth issue of a series of publications issued by Wilfried Lentz Rotterdam. Published as an accompaniment with the show ‘Science of the strange’ from 4 September to 9 October 2010 at Wilfried Lentz Gallery. With this publication is a signed and numbered artist edition of Ulrik Heltoft (500 copies).
