The third issue of Field Notes addresses the constant question of how AAA defines “Asia” but is in no way intended to survey or comprehensively cover any of the entry points in how to map Asia. Instead, it is to point to the entanglements between them and provide an additional space, along with AAA’s other projects, to construct reference points and connections across time, sites, and geographies.

We realize that there is something about the positioning of Asia, Art, and Archive next to each other that presupposes a mapping process. Acknowledging both the value and limitations of the map as a tool, AAA has attempted to trace the phenomena, practices, discourses, and developments in contemporary art in Asia by building up a collection based on breadth (via a widespread network of researchers, advisors, collaborators, and friends) and depth (through focused thematic archival projects). As such, we are practicing a mapping of Asia that no longer depends on the map as artifact, but as something that lives and continues to unfold. And while we believe that AAA’s collection allows for a comparison of cross-regional histories and ideological networks, we must stress the importance of reading its material in conjunction with other mapping and archival initiatives…

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