Computer Art

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PublisherLink Editions2015
6PM YOUR LOCAL TIME (#6pmylt) is a networked, distributed, one night contemporary art event taking place simultaneously in different locations, coordinated from one central venue and documented online via a web application. The project, conceived by Fabio Paris for the Link Art Center and developed in collaboration with Abandon Normal Devices (AND) and Gummy Industries, is an OPEN FORMAT and can be used by other organizations and individual curators to set up other #6pmylt events. The Link Art Center itself organized the first two events: 6PM Your Local Time UK, curated in collaboration with AND and coordinated from Furtherfield Commons, London, involving ...
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Publisheronestar press2008
A horizontal expansion followed by a vertical contraction of a Microsoft Excell cell. This book is made with Microsoft Excel. It can be opened and read from both sides with varying results and titles. In both cases cells evolve from thinnest possible lines to standard width squares and back to lines again, creating a zig-zag trace of movement. In the middle of the book the expansion changes to a contraction and the zig-zag causes a 90-degree change in orientation.
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PublisherDia Art Foundation2014
For his first web-based project, Cuban artist Wilfredo Prieto invites visitors to take part in a moment of silence via the internet, with no stipulations or expectations aside from the willingness to cede control of one’s computer while the minute is observed. Once launched, the ineluctable sixty seconds begin to pass. Your screen becomes black, and attempts to escape the moment with mouse or keyboard interaction are unheeded. Why would anyone agree to surrender control of the device that is so central to daily life? For many people, computers serve as the key repository of information and the primary conduit of ...
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Abstract Browsing is a project that consists of both software and physical objects. The browser plugin is a free software that you can easily install. When you turn on the plugin, you can surf the web but all web content is reduced to abstract compositions (colored rectangles). It shows the skeleton of the web. It’s like seeing an X-ray of a building, showing the structural elements. Web pages are built of many elements, information is organized and categorized. Things we use every day but are not aware of. Invisible parts. Websites are constantly tweaked to maximize their efficiency, separate from aesthetic ...
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PublisherGauss PDF2011
MacBook [White] circa 2006 Finder Dashboard Firefox — Tabs Open: Gmail—Inbox; Google Reader; Tumblr; Amazon—Amazon.com: The Body Multiple: Ontology in Medical Practice (Science and Cultural Theory) (9780822329176): Annemarie Mol, Barbara Herrnstein Smith, E. Roy Weintraub: Books iTunes — Now Playing: Anne Laplantine, Themes Bean — Documents: Untitled; Untitled 2 Trash — Contents: Picture 3.png; TESTING WATER.pdf
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PublisherLink Editions2016
AFK – an acronym for “away of keyboard” widely used online – is an anthology of texts written for catalogues and exhibition brochures along the last five years, featuring twelve texts about eleven artists and an artist duo: Rosa Menkman, Jon Rafman, Gazira Babeli, Martin Kohout, Maurizio Cattelan, Enrico Boccioletti, Constant Dullaart, Jill Magid, Aram Bartholl, Emilie Brout & Maxime Marion, Evan Roth and Addie Wagenknecht. In different ways, these artists experienced the impact of digital means of production and dissemination, they experimented with them, they thought about them, and all this is reflected in their work. As Peter Sunde, the co-founder of the ...
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PublisherLink Editions2013
After Brad Troemel (ABT) is an artist book conceived for the JstChillin exhibition Read/Write at 319 Scholes in Brooklyn in 2011. The book—originally published in a limited edition of 20—took as its conceptual core the characterization of artist Brad Troemel as a genius and a mastermind analyzed through the lens of conspiracy theory and amateur internet sleuthing. According to artist and writer Artie Vierkant, who wrote the introduction to this edition, ABT is not “about Brad Troemel, nor any of the myriad names or identities that are mentioned in its pages. ABT is about the construction of identity in a mediated ...
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PublisherO-R-G2009
Two signals of varying frequency and phase result in a perpetual infinity (figuratively and literally as it actually constructs itself in the shape of the infinity sign given the right starting values), drawing and redrawing itself over and over, a picture of timing and sequence in the center of the screen. The familiar resulting shapes are known as Lissajous curves after French mathematician Jules Antoine Lissajous and his “beautiful machine” of 1855. Devised to draw a picture of two superimposed systems falling into and out of phase, Lissajous’ machine was constructed of a pair of tuning forks placed facing at right ...
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William Gibson’s poem played from a 3½-inch diskette on a 1992-era Mac computer running the System 7 operating system. When the diskette ran, the text of the poem scrolled up the screen (accompanied by infrequent sound effects: a camera shutter click, a gun going off) while an encryption program on the diskette encoded each line and made the poem “disappear” after its first reading. On December 9, 2008—the sixteenth anniversary of the original “Transmission” event debuting Agrippa—The Agrippa Files was aided by the Maryland Institute for Technology in the Humanities and the Digital Forensics Lab at University of Maryland, College Park, ...
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Can computers be creative? Is algorithmic art just a form of Candy Crush? Cutting through the smoke and mirrors surrounding computation, robotics and artificial intelligence, Joanna Zylinska argues that, to understand the promise of AI for the creative fields, we must not confine ourselves solely to the realm of aesthetics. Instead, we need to address the role and position of the human in the current technical setup—including the associated issues of labour, robotisation and, last but not least, extinction. Offering a critique of the socio-political underpinnings of AI, AI Art: Machine Visions and Warped Dreams raises poignant questions about the ...
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PublisherO-R-G2009
A recent Opinion piece from the New York Times (“Scorched Earth” by Robert L. Park) eulogized the political death of what had been derisively called “Al Gore’s Screensaver.” Since his vice presidency, Gore actively advocated The Trius Project — a satellite to be put into orbit around the Earth on a geosynchronous path (at position Lagrange 1) which would send back live images of both the whole Earth and the full Sun. This project was intended to feed a series of real-time displays, installed as screensavers on computers in U.S. public schools. Al Gore woke up one morning wondering if ...
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The public discourse around AI is oscillating between salvation and the apocalyptic, often referring to images from Science Fiction. Meanwhile, in our smartphones, in search engines or in automatic translation, forms of artificial intelligence are already part of our everyday life. An ongoing artistic research on the topic brought Geneva-based artist Lauren Huret to California, where she conducted interviews with four protagonists of the discourse: Computer scientist and entrepreneur Monica Anderson (Artificial Intuition), computer historian Dag Spicer (Computer History Museum), writer and editor R.U. Sirius (MONDO 2000) and writer Erik Davis (TechGnosis. Myth, Magic, and Mysticism in the Age of ...

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