Let’s be clear about something: it is infuriating that most interesting artists are perfectly capable of functioning in at least two or three professions that are, unlike art, respected by society in terms of compensation and general usefulness. When the flexibility, certainty, and freedom promised by being part of a critical outside are revealed as extensions of recent advances in economic exploitation, does the field of art become the uncritical, complicit inside of something far more interesting?
This title is only available for institutional lending. To find the nearest library where you may access this resource, see the institutions listed under ‘Library Collections’ on this page.
Contact us to learn more about our library services.