Ekaterina Degot

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Biennials are each in their own way a complex constellation of different economical and geopolitical, and representational cultural aspects within its own power relations. With all their underlying deficiencies (canonical, hegemonic, colonialist, hot money-funded, politically influenced, hierarchical), biennials tend to establish international discourse, at best, rooted in local cultural specificities and contexts. With this edition of the journal, we wanted to include a variety of cases and research areas, not ordered along a historical trajectory, but rather, ordered by theme. With a mix of over sixty new contributions and reprints of important articles for the biennale discourse this issue is ...
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Could it be that contemporary art is neoliberalism in its most purified form? At the center of our December issue is a constellation of unusually frank essays mounting an indictment of contemporary art’s complicity with gentrification and capital accumulation, with processes of divestiture and exploitation… Editorial Julieta Aranda, Brian Kuan Wood, Anton Vidokle Exhaustion and Senile Utopia of the Coming European Insurrection Franco Berardi Bifo A Letter from Donetsk: Art Amidst the Roses Ekaterina Degot Contemporary art does not account for that which is taking place Liam Gillick In Conversation with Hakim Bey Hans Ulrich Obrist Culture Class: Art, Creativity, Urbanism, Part I Martha Rosler Politics of Art: Contemporary Art and the Transition to ...
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This month in e-flux journal, we are pleased to present a special issue focusing on Moscow Conceptualism, guest-edited by Boris Groys in conjunction with an exhibition of the work of Andrei Monastyrski and Collective Actions, curated by Groys and on view at e-flux until January 6, 2012… Preface Julieta Aranda, Brian Kuan Wood, Anton Vidokle Introduction—Global Conceptualism Revisited Boris Groys Performing Objects, Narrating Installations: Moscow Conceptualism and the Rediscovery of the Art Object Ekaterina Degot One and Three Ideas: Conceptualism Before, During, and After Conceptual Art Terry Smith Soviet Material Culture and Socialist Ethics in Moscow Conceptualism Keti Chukhrov Art without Work? Anton Vidokle Moscow Romantic Exceptionalism: The Suspension of Disbelief Sarah Wilson Zones of ...
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In the summer of 1989, Francis Fukuyama published his infamous essay declaring the global triumph of free-market liberal democracy over communism as the end of ideology as such. Not only that, but he also claimed the world was on the cusp of realizing what Fukuyama’s mentor Alexandre Kojève called the “universal homogenous state,” which would be the climax of a particular Western idealist tradition stretching back to Hegel. It would be the endpoint of a human consciousness based in accumulative historical progress that also grounded the thinking of Marx himself, who pegged his own philosophy to a conception of time ...

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