Ulrik Heltoft

PublisherSecession2014
There is something subtly mysterious about the films and photographs of the Danish artist Ulrik Heltoft. Drawing on literary narratives or scientific sources, his works often explore the conceptual and aesthetic potentials of specific technologies. Despite his experimental use of his media, his photography evinces a uniform clear and brilliant quality. For his exhibition at the Secession, Heltoft has created a new film titled Kabinet. It is based on a piece of social critique that has been adapted for the screen many times: Charles Dickens’s novella A Christmas Carol (1843), in which the confrontation with ghosts inspires the old and stingy ...

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2013
The strangeness and mystery of the Voynich Manuscript has inspired musicians and novelists. Not surprisingly, the document has also proved a springboard for visual artists, but the remarkable thing about the body of work made by Miljohn Ruperto and Ulrik Heltoft is how it doesn’t just feed o the manuscript’s secrets and complications but builds upon them to become something odd, fantastic and mysterious in its own right…

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Zero Sum Gain is the fourth issue of a series of publications issued by Wilfried Lentz Rotterdam. Published as an accompaniment with the show ‘Science of the strange’ from 4 September to 9 October 2010 at Wilfried Lentz Gallery. With this publication is a signed and numbered artist edition of Ulrik Heltoft (500 copies).

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