Raqs Media Collective

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PublisherOnCurating.org2019
Artistic and curatorial practices can be seen as the prime testimonies of transformative movements—on the one hand situated in a specific site and region, and on the other, transgressing disciplines, classes, norms—proposing new forms and relations of living and establishing these practices (building centres along the way) but at the same time always changing their positions, never staying at the centre, but instead unfolding on the periphery of social life. In this OnCurating Issue, we searched for and researched projects and institutions that hold at their core something between the lines of centres–peripheries with their transversal practices and modus operandi. For ...
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PublisherOnCurating.org2020
Biennials are each in their own way a complex constellation of different economical and geopolitical, and representational cultural aspects within its own power relations. With all their underlying deficiencies (canonical, hegemonic, colonialist, hot money-funded, politically influenced, hierarchical), biennials tend to establish international discourse, at best, rooted in local cultural specificities and contexts. With this edition of the journal, we wanted to include a variety of cases and research areas, not ordered along a historical trajectory, but rather, ordered by theme. With a mix of over sixty new contributions and reprints of important articles for the biennale discourse this issue is ...
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PublisherAutonomedia2004
The interaction between culture and economy was famously explored by Theodor Adorno and Max Horkheimer by the term ‘Kulturindustrie’ (The Culture Industry) to describe the production of mass culture and power relations between capitalist producers and mass consumers. Their account is a bleak one, but one that appears to hold continuing relevance, despite being written in 1944. Today, the pervasiveness of network technologies has contributed to the further erosion of the rigid boundaries between high art, mass culture and the economy, resulting in new kinds of cultural production charged with contradictions. On the one hand, the culture industry appears to ...
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PublisherAutonomedia2005
Social change does not simply result from resistance to the existing set of conditions but from adapting and transforming the technical apparatus itself. Walter Benjamin in his essay ‘The Author as Producer’, written in 1934, recommends that the ‘cultural producer’ intervene in the production process in the manner of an engineer. The term ‘engineer’ is to be taken broadly to refer to technical and cultural activity, through the application of knowledge for the management, control and use of power. To act as an engineer in this sense, is to use power productively to bring about change and for public utility. ...
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PublisherOnCurating.org2017
This issue compiles the outcome of the symposium at the Kunstmuseum Basel and a summer academy at the Zurich University of the Arts. The symposium “De-colonizing Art Institutions” took place at Kunstmuseum Basel, June 21 and 22, 2017, with the speakers Sabih Ahmed (Asia Art Archive), Jeebesh Bagchi (Raqs Media Collective), Binna Choi (Casco), Eyal Danon (Holon Digital Art Archive), Kadiatou Diallo (SPARCK), Same Sizakele Mdluli (Lecturer, Wits University), Rohit Jain (ISEK, Uni Zürich), Shwetal A. Patel (Kochi-Muziris Biennale), Dorothee Richter (Postgraduate Programme in Curating, ZHdK), Roma Jam Session art Kollektiv (RJSaK), and Søren Grammel. You will find contributions by ...
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Following the e-publication Austerity and Utopia, L’Internationale Online presents a second collection of interventions to think through two apparently distant concepts. Artists, thinkers and researchers were invited to reflect on a dissimilar pair of themes as fertile ground for thought and proposition. With this new issue of Degrowth and Progress, we would like to pursue a path of reflection to interrogate the ambivalence of a possible progression of degrowth, and attempt to stage a bastard/hybrid scenario of speculative thought and action. This collection draws upon the complexity of ethical, ecological and political frameworks and reveals other perspectives on the current ...
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Publishere-flux2014
In the summer of 1989, Francis Fukuyama published his infamous essay declaring the global triumph of free-market liberal democracy over communism as the end of ideology as such. Not only that, but he also claimed the world was on the cusp of realizing what Fukuyama’s mentor Alexandre Kojève called the “universal homogenous state,” which would be the climax of a particular Western idealist tradition stretching back to Hegel. It would be the endpoint of a human consciousness based in accumulative historical progress that also grounded the thinking of Marx himself, who pegged his own philosophy to a conception of time ...
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Publishere-flux2019
In this issue of e-flux journal, Nikolay Smirnov examines the historical left-wing, Marxist splinter of Eurasianism and its merits in the face of contemporary neo-Eurasianist figures who have turned it towards nativist and right-wing agendas. Also in this issue, Khaled Saghieh, in the first essay of a series guest-edited by Marwa Arsanios, recounts the postwar intellectual debates of the 1990s in Beirut as a war of and on memory. A whole city can shift. The memory of what was, or what wasn’t, becomes an intellectual battlefield.
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PublisherHome Cooking2021
HOME COOKING is a digital artist-run space started in March 2020 featuring activities, movement, music, poetry, video, and more.
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PublisherOnCurating.org2013
This issue of ONCURATING.org brings together a range of interviews and essays, inspired by the symposium, “Why Artists Curate,” held by the Kunstbüro der Kunststiftung Baden-Württemberg in cooperation with Columbus Art Foundation in July 2011. The feedback from this conference prompted a discussion on authorship in contemporary art, from artists, curators and artist-curators. Walter Benjamin’s well known essay, The Author as Producer, outlines that artists became producers when they shifted their labour from an independent creator relent on conventional artistic apparatus, to an operative, in which the skills and accomplishments of the artists are transformed by the advanced technical content of ...
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PublisherOnCurating.org2019
The symposium “Revisiting Black Mountain College: Cross-Disciplinary Experiments and Their Potential for Democratization (in Times of Post-Democracy)” asked questions in relation to anti-democratic tendencies in many countries worldwide. How can education still hold up democratic values, while at the same time presumably measuring its success by careers in the market? This issue brings together contributions from participants of the conference and adds further contributions by Andres Janser, Olga von Schubert, Caroline Adler, Boris Buden, Lucy Bayley, Sascia Bailer, Simon Fleury, Gilly Karjevsky, Asli Uludag, and Mieke Matzke.The interview by Ronald Kolb with Bitten Stetter, Brandon Farnsworth, Dorothee Richter, Jochen Kiefer, Martin ...
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PublisherSarai, CSDS2001
A Sarai is an enclosed space in a city, or, beside a highway, where travellers and caravans can find shelter, sustenance and companionship; a tavern, a public house, a meeting place; a destination and a point of departure; a place to rest in the middle of a journey… The Sarai Reader (which is the first of what we hope will be more such collections) can be seen both as a navigation log of actual voyages and a map for possible journeys into a real and imagined territory that we have provisionally called the “Public Domain”. This republic without territory is a ...

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