Martha Rosler

PublisherA.R.T. Press2006
A feisty conversation between Paul Chan and Martha Rosler on different strategies and positions of art making in relation to social and political engagement, as well as discussions on boredom, bodily suffering, Bertolt Brecht, Chris Marker, and The Passion of The Christ.
PublishersSternberg Presse-flux2013
What makes a city successful today? Over the past few decades, artists—and more broadly, clusters of creative people—have become central to narratives of urban revitalization and civic growth in cities around the world. In many locales, artists in search of cheap rent constitute the vanguard wedge of gentrification. Yet the so-called creative class includes whole categories of knowledge workers enjoying far less precarious conditions than artists, and it is their affluence that continually leads to the displacement of both working-class residents and artists alike. In the creative city, the branding of subcultural movements, the translation of the gritty into the quaint, ...
Publishere-flux2010
What is contemporary art? First, and most obviously: why is this question not asked? That is to say, why do we simply leave it to hover in the shadow of attempts at critical summation in the grand tradition of twentieth-century artistic movements? The contemporary delineates its border invisibly: no one is proud to be “contemporary,” and no one is ashamed. Indeed, the question of where artistic movements have gone seems embedded in this question, if only because “the contemporary” has become a single hegemonic “ism” that absorbs all proposals for others. When there are no longer any artistic movements, it ...
Publishere-flux2010
Could it be that contemporary art is neoliberalism in its most purified form? At the center of our December issue is a constellation of unusually frank essays mounting an indictment of contemporary art’s complicity with gentrification and capital accumulation, with processes of divestiture and exploitation… Editorial Julieta Aranda, Brian Kuan Wood, Anton Vidokle Exhaustion and Senile Utopia of the Coming European Insurrection Franco Berardi Bifo A Letter from Donetsk: Art Amidst the Roses Ekaterina Degot Contemporary art does not account for that which is taking place Liam Gillick In Conversation with Hakim Bey Hans Ulrich Obrist Culture Class: Art, Creativity, Urbanism, Part I Martha Rosler Politics of Art: Contemporary Art and the Transition to ...
Publishere-flux2011
The Gulf War did not take place, as Baudrillard notoriously put it. But now something else has taken place, and it did not happen in the doldrums of virtuality, but in the streets and squares of Tunis, Cairo, Benghazi, and elsewhere. It seems that the prospect of an all-encompassing condition of techno-saturated anorexia, perhaps appropriate for a time when communications networks and the tools for producing reality were situated in the hands of governments and telecommunications tycoons, has been inverted. No one could have foreseen the perseverance of reality over mass-deception, the weaponization of communications networks in the hands of ...
Publishere-flux2011
Surprisingly few people have flinched at the way Osama bin Laden was disposed of. Even for the most wanted man in the world, one imagines that it would have been both ethically and politically more expedient to stage a trial before his execution, similar to the way it was done in the case of Saddam Hussein. But such an expectation would risk overlooking the degree to which, for states and individuals alike, much political activity now takes place outside of official channels and beyond the jurisdiction of formal legal bodies… Editorial Julieta Aranda, Brian Kuan Wood, Anton Vidokle Radicalism as Ego Ideal: Oedipus ...
Publishere-flux2012
On some days it is more apparent than others that the ground is shifting below our feet. On a clear day, we can see the horizon that tells us we are in the midst of a global regime change, yet we do not yet know the face of the new power just beyond it. But what we can see is the limit of an economic regime that has dangled vast advances in symbolic spheres of information and communication, in capital flows and even human movement across the globe. Perhaps it was only a matter of time before we realized the ...
Publishere-flux2013
In April, Mark Epstein from the Cooper Union Board of Trustees announced the end of fully subsidized education across the college’s art, engineering, and architecture schools. It was a closing chapter in a ferocious battle in the college since it announced its insolvency in 2011. But it may be the beginning of something else… Editorial—‟Language and Internet” Julieta Aranda, Brian Kuan Wood, Anton Vidokle International Disco Latin Hito Steyerl English and All That Martha Rosler After the Social Media Hype: Dealing with Information Overload Geert Lovink The Whole Earth: In Conversation with Diedrich Diederichsen and Anselm Franke Ana Teixeira Pinto Towards a Post-Secular Aesthetics: Provocations for Possible Media in Afterlife ...
Publishere-flux2016
Early in the new century, it is already clear that the vanguards of the last one were less a singular, sequential telos than a symptomatic cycle. Movements like impressionism, abstraction, conceptualism, or symbolism are more like weather patterns that recur under certain circumstances than historical exceptions never to be repeated. There are everyday sprinkles of impressionism which relate to a Monet in the same way that the average rainstorm relates to a hurricane. In “Towards the New Realism,” Boris Groys examines the revival of what is still the most suggestive and polyamorous of these commitments, the pursuit of the real. ...
PublisherSeth Price2004
A meal in three courses, by Martha Rosler, 1985 by Seth Price, 2004
THE POLITICAL ECONOMY OF SOCIAL CREATIVITY The book published by F/SUW in cooperation with MayFly Books gathers papers based on presentations at the conference Labour of the Multitudes? Political Economy of Social Creativity, organized in Warsaw in October 2011. It includes contributions by renowned thinkers and artists, including Luc Boltanski, Neil Cummings, Diedrich Diederichsen, Isabelle Graw, Massimiliano Tomba, Stevphen Shukaitis, and Martha Rosler, among many others. The title Joy Forever refers to the false promise of a common happiness, constantly played out by the proponents of the creative class and creative economy – the very promise that since Romanticism has been ascribed ...
Publisheronestar press2008
A project by students at CALARTS with Nancy Buchanan, Sam Durant and Martha Rosler This book is one result of a class we taught at the California Institute of the Arts in the Spring of 2007. We began discussing the idea of teaching a class together the prior year, to see how young artists would address the human rights abuses and illegal wars the U.S. Government was (and is) committing so openly and, thus far, with near impunity. As an initial focus, Nancy proposed that students up-date, re-make or somehow respond to Martha Rosler’s prescient 1983 video tape, A Simple Case ...

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