Towards an Infrastructure of Humans
<p>Humans can exist without an institution, yet no institution can function without humans. Institutions to a large degree are the people who work in them, but they are also more than just a group of individuals working together. What then does the institutional part of an institution contain? What allows a gathering of people to become more than the sum of all its parts? And in the age of neoliberal self-exploitation, are institutions still operative in the interests of the individuals involved?</p> <p>As is well known, recent decades have transformed the cultural sector. Sociologists Luc Boltanski and Eve Chiapello identified that the culture industry was one of the models for the neoliberal already in 1999, and with its networked economy it has become a frontrunner in developing precarious labour conditions ever since. The freelance artist has been the norm in the sector from the early-twentieth century onwards, and today freelancing and zero-hour contracts dominate all aspects of employment. Like with all things, there is a positive side: in the cultural sector, freelancing does offer greater flexibility and the chance for art and cultural workers to set their own working limits or pursue international careers by working on a portfolio of projects in many different and exciting locations. The downsides, however, are precarious conditions, lack of workers’ rights and protection, fragmented life and work biographies and a lack of longer-term, mutual commitment to people and places. Many cultural workers are in fact forced into flexibility, destined to try to sell their personalities – not as acts of free will, but as a means to survive…</p>
Editors: Anne Szefer Karlsen
Associate Editor: Vivian Ziherl, Steven ten Thije
Contributors: Platform BK, Joram Kraaijeveld, Rune Peitersen, Norwegian Association of Curators, Martin Braathen, Silja Leifsdottir, W.A.G.E., Lise Soskolne, Rick Heron, Mack McFarland, Florence Cheval, Kris Dittel, Benjamin Fallon, larose s. larose, Taylor Le Melle, Nat Muller, Miriam H. Wistreich, Lesley Young, Önder Özengi, Sabina Sabolović, Jonathan Baumgartner, Agata Cieslak, Sarah Cattin, Jasmin Schaedler, Leeron Tur-Kaspa, Floris Visser, Polly Wright, Thomas Bakker, Iris Bouwmeester, Sharelly Emanuelson, Hanne Gudrun Gulljord, Lian van Schaik, Çelenk Bafra, Ericka Florez, Diewke van den Heuvel, Anna Jensen, Tuğçe Karataş, Alexandra Landré, Susan McAteer, Sarah MacIntyre, Arkadiusz Półtorak, Karolin Tampere, Vivian Ziherl, Kirsteen Macdonald, Anne Szefer Karlsen, Ben Callaghan, Camilla Crosta, John McDougall, Nikki Kane, Yvonne Billimore, Cicely Farrer, Frances Davis, Gordon Douglas, Katherine Murphy, Marcus Jack, Seonaid Daly, Jennifer Clews, Naoko Mabon, Peter Basma-Lord, Rachel Woodside, Natasha Ginwala, Marieke van Hal, Gilda Axelroud, Torill Østby Haaland, Max Bouwhuis, Erdem Çolak, Charles Esche, Katrien Reist-Van Gelder, Nikki Kane, Christina Li, Alan Michelson, Sun A Moon, Zeynep Öz, Joanna Warsza, Lara Khaldi, Rachel O’Reilly, Eszter Szakács, Hanns Lennart Wiesner, Rana Anani, Daisuke Kosugi, Luay Al Derazi, Guus van Engelshoven, Cassius Fadlabi, Ella Grace McPherson-Newton, Fadwa Naamna, Michelle Wong, Christiane Berndes, Steven ten Thije, Tatiana Lozano, Jepkorir Rose Kiptum, Hernán Barón, Nell Donkers, Mitchell Esajas, Ina Hagen, Jagna Lewandowska, Karima Boudou Mzouar, Ong Jo-Lene, Petra Ponte, Ahilapalapa Rands, Randi Thommessen, Ana Bigotte Vieira, Natasha Marie Llorens, Nicolas Jones, Natalie Hope O’Donnell, Rodrigo Ghattas, Ina Hagen, Jasmine Hinks, Maria Jonsson, Michael McLoughlin, Maija Rudovska, Helle Siljeholm, Ana Laura López de la Torre
Copy Editor: Gerrie van Noord
Photographer: Tarona Leonora
Designer: 75B, Studio Boi
ISBN: 9789082902921