Revolutionaries are people who need to run around in circles. Revolution is a cycle of toppling and replacing, of killing God and building a Church, as Camus says. It is nothing if not intense.

In “The Intense Life,” Tristan Garcia presents intensity as an ethical ideal peculiar to modernity. The pursuit of intensity moves through stages, from variation, to acceleration, to what Garcia calls “primaverism,” or the obsession with first experiences.

In “Notes on Blacceleration,” Aria Dean locates an absence in the text of accelerationism: a decided failure to come to grips with the first experiences of accumulation, and in particular with the way “the black” divides, and has always divided, capital from the human. In “‘This Is a Story About Nerds and Cops’: PredPol and Algorithmic Policing,” Jackie Wang considers predictive policing and shows how algorithmic crime zones can intensify the violence at work in this process.

If revolution doesn’t mean Haiti and doesn’t mean intensity, it might mean apocalypse. Irmgard Emmelhainz examines the tendency towards apocalyptic imagery in recent political photography and film, as a symptom of modernism’s lingering Christian mission. Is the end of history ever anything more than a kind of top-down resignation to disaster? Is there such a thing as an authentically bottom-up apocalypse?…

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