A *New* Program for Graphic Design is a DIY textbook that synthesizes the pragmatic with the experimental to convey advanced graphic design principles in an understandable form for students of all levels as well as general readers.
Rooted in three courses (Typography, Gestalt, and Interface) originally developed for liberal arts students at Princeton University, the book provides a broad introduction to graphic design and visual literacy, from Benjamin Franklin to Bruno Munari, Moholy-Nagy to Muriel Cooper and the Macintosh computer.
Through a series of in-depth historical case studies and assignments that progressively build in complexity, the book serves as a practical guide ...
A *Pre-* Program for Graphic Design is a video-based companion to A *New* Program for Graphic Design, a DIY textbook that synthesizes the pragmatic with the experimental to convey advanced graphic design principles in an understandable form for students of all levels as well as general readers.
Based on courses originally developed for liberal arts students at Princeton University, the book was derived from a three-day lecture series held in Los Angeles, delivered to a live studio audience and video recorded. The result is a broad introduction to graphic design and visual literacy, covering a wide range of topics, from Benjamin ...
Charles Correa (*1930 in Secunderabad) has played an instrumental role in the shaping of postcolonial architecture in India. He has also been a pioneer in addressing crucial issues of housing and urbanization in the Third World, including the proliferation of squatters.
This anthology assembles a selection of essays and lectures whose subjects range from the metaphysical to the decidedly pragmatic and deal with architecture, urban planning, landscape, and individuals such as Le Corbusier, Isambard Brunel, and Mahatma Gandhi. It also contains a reprint of his seminal book The New Landscape (1985), long out of print, on urban development in the Third ...
The Amme Talks is a conversation between poet and machine. In 2003, poet Ulf Stolterfoht and a chatbot named Amme (which means “wet nurse” in German) met in Berlin. For one week, Stolterfoht interrogated Amme: not just a chatbot, actually, but a steel-and-glass construction with a computer interface, which is connected to a glass of milk, a robotic arm that tips over the glass, and a tube that releases water, as if urinating.
Stolterfoht asked Amme—the creation of artist Peter Dittmer—about the nature of authorship and the agency of language; he intended to turn the answers into an essay on poetics. ...
Architecture Words is a series of texts and important essays on architecture written by architects, critics and scholars. Like many aspects of everyday life, contemporary architectural culture is dominated by an endless production and consumption of images, graphics and information. Rather than mirror this larger force, this series of small books seeks to deflect it by means of direct language, concise editing and beautiful, legible graphic design.
The year is 2250.
The colony on the Moon is divided into debaucherous fascists and an underclass of mutants born without genitals.
Follow Frank and Gerry, two mutant bros. By day, they’re forced to salvage through the remains of a porn-filled shuttle that crashed on the Moon’s dark side. By night, they plot their revenge.
The older paradigm for photojournalists was to simply record events, with the hope—and frequently the expectation—that people and their governments would be moved to respond to the injustices pictured, as witnessed by the impact of certain images during the Civil Rights movement and the Vietnam War. Given evolving media and political climates, however, including the billions of images now available online from all kinds of sources, the purpose and effectiveness of media, in particular of visual journalism, has been called into question. Bending the Frame, by author and critic Fred Ritchin, addresses the new and emerging potentials for visual media ...
"Between Artists" is an ongoing series of books edited by Alejandro Cesarco and originally published by A.R.T. Press. They are based on artist to artist conversations. The conversation format permits a thorough and at the same time informal investigation of the artists’ practice and the larger social issues that inform it. By virtue of their clarity, personal focus, affordability, and innovative method of distribution, these books make possible the presentation of contemporary artists and their work to a wide readership. Since the first "Between Artists" books were released in 2005, they have gained a cult following, and a number of them have since become out of print.
What drives someone to build an archive? What feeds their impulse to collect? Who will find value in this preserved history?
In Black Archives’ first issue, we explore these foundational questions through the I. Henry Phillips collection, Marion Stokes’s story, and personal family reflections from the Black Archives community.
We map the points where the personal intersects with the political and uncover how living with a sense of history helps to create legacy. Both a blueprint and a mirror, this issue challenges us to consider how we will tell and preserve our own stories.
In a playful conversation with the artist Jonas Mekas, John Lennon and Yoko Ono give insights into their artistic practices, such as singing, influencing each other, and collaborating in films such as Legs which shows the naked legs of the New York artistic community.
December 1970, Regency Hotel, New York City: After a spontaneous film festival in the Elgin theatre for which Yoko Ono and John Lennon had produced two new films in only two weeks, the organiser Jonas Mekas and the two artists sat together, exhausted and probably also very happy. They talk about how the audience received the films ...
Commons is not something that just exists out there, nor is it something that is objectively present in certain resources or things. It is a relation of people with the conditions they describe as essential for their existence, collectively,” writes Stavros Stavrides, architect, activist, and author of Common Space: The City as Commons.
Stavrides understands the creation, development, and maintenance of commons as a social practice that radically challenges capitalist values and hierarchical forms of social organization. Constructed in this way, urban spaces differ both from private enclosures and from public space as we know it: common spaces are permanently inviting ...
The bilingual Conversaciones/Conversations series, launched by the Fundación Cisneros/Colección Patricia Phelps de Cisneros in 2010, is dedicated to preserving firsthand accounts from leading Latin American artists and intellectuals.
Responding to the urgent need to compile primary-sourced information on the historical and contemporary conditions in Latin American art, this illustrated series of reading books features dynamic, in-depth dialogue between artists and their interlocutors.
The Conversaciones/Conversations e-book series—a joint collaboration between CPPC and MAPP Editions, UK—disseminates these important publications in a digital format. These e-book versions contain exciting features such as video and audio recordings that bring the artist’s voice to life; previously unpublished and rare materials; zoom/detail functions; and newly commissioned materials exclusive to the electronic editions, among many other enhancements.