◯ is a supercut of all round counters found in Unicode typefaces. Composed first in the summer of 2011 and updated for this 2013 publication, ◯ presents these counters at 60pts and in Unicode order. The text begins with Basic Latin (0025), contains findings in the Private Use Area, and ends in the Variation Sectors Supp. Section (1F773).
Graphic Design, Typography
Tao G. Vrhovec Sambolec, Janine Armin, Tea Kačar et al.
The publication is a part of the installation 0.004 Hz which examines an event that for several months in 2018 almost imperceptibly affected everyday life in an area of Europe comprising 25 nations, by slowing down some electrical clocks for 6 minutes over the 2-month period. The publication collects mostly found fragments that are indicative of the potential in, and are essential or tangential to this delay. Official announcements, news reports and interpretations ...
Networks, Transborder Data Flows
Recollection of some of the numerous patterns used by Peter Kogler in his distinctive graphic work.
Digital Media, Graphic Design
Photographed in Astor Place, New York, most of them on April 23, 2001.
Photography
Allard van Hoorn, Jomi Delgado, Michiel ‘Kledder’ Kelders
A project in which diamond dust is scattered over the gallery floors beneath the diamond vault ceilings of the architectural museum in Oslo, a former bank. The tiny diamonds will be spread by visitors, sticking to their soles, dispersing the dust throughout the building, streets and town, investigating ideas of economic inequality, de-luxuriation and commodification of capital. A musical composition will be composed which will appear as a hummed performance by ...
Performance Art, Sound Installations
Ross Goodwin, K Allado-McDowell, David Desrimais et al.
1 the Road is a book written using a car as a pen. Ross Goodwin is not a poet. As a prominent Artificial Intelligence creator, he outfitted a Cadillac car with a surveillance camera, a GPS unit, a microphone and a clock, all connected to a portable AI-writing- machine that fed from these input data in real time. Together, they traveled from New York to New Orleans, in an experimental automation ...
Art and Technology, Artificial Intelligence, Automation
Dorothee Richter, Dorothee Richter, Zoë Gray et al.
The issue 1,2,3, — thinking about exhibitions combines discussions, interviews, and articles concerning recent discussions in Rotterdam and Hamburg. The symposium in Rotterdam, The Curators, at Witte de With emphasized the role of the curator-subject. This issue includes two interviews which critically review the contributions and results of the symposium, revealing different aspects and controversial facets of their topics. The two featured interviews include one with Nikolaus Schaffhausen and Zoe ...
Art Criticism, Curatorial Practice, Curators
Takahiro Kawaguchi, Masahiko Okura, Masahide Tokunaga et al.
This is a recording of a trio improvisation by Takahiro Kawaguchi (horns) Masahiko Okura (reeds) Masahide Tokunaga (alto sax) which was held at En-ban, a record store in Koenji, Tokyo, at 8pm on August 30th 2016. Okura and Tokunaga are wind instrument players who work in both composition and improvisation. Rather than focusing on any one fundamental output, the handmade instrumentation and musical content of each of Kawaguchi’s performances are unique. ...
Composition, Music
Ultra-red, The Gesso Foundation
Thesis: The field of sound is the site and the means of the Militant Sound Investigation. Regardless whether analogue or digital, the record gives object form to an undifferentiated field of sound. Through both magnetic particles and binary code, experience enters into the record and becomes available to be repeated and analyzed. What initially sounded like undifferentiated registers acquires through repetition and analysis a different texture of audibility. It is ...
Sound, Sound Art
Julieta Aranda, Brian Kuan Wood, Anton Vidokle et al.
e-flux journal editors Julieta Aranda, Brian Kuan Wood, Anton Vidokle, and Kaye Cain-Nielsen discuss 10 years of e-flux journal. Excerpt from the editorial of e-flux journal issue #95—WONDERFLUX: In November 2008, the editorial for issue #00 said: Historically, more than any single institution, art publications have been primary sites for discourse surrounding the artistic field. And yet most recently, the discourse has seemingly moved elsewhere—away from the formal vocabulary used to explain art production, away from traditional ...
Art Criticism, Art History, Publishing